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Theme code Index	3332 1565
Also known as	Lord Loudon's March
Composer/Core Source
Region	England
Genre/Style	English
Meter/Rhythm	March/Marche
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	4/4
History
Structure	AABB
Editor/Compiler	Biography:James Aird
Book/Manuscript title	Book:Selection of Scotch English Irish and Foreign Airs vol. 4
Tune and/or Page number	No. 54, p. 21
Year of publication/Date of MS	1796
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Tune annotations

X:1
%
T:London March
M:C
L:1/8
R:March
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 54, p. 21)
Z:AK/Fiddler’s Companion
K:D
F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E|
F2F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>cd>g|f2 e>d d4:||
a>gf>g a>ag>f|e>fg>e f2e2|d>dd>e f>ff>g|a>ag>f f2e2|
A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2 F>E|
F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E|
F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4||

X: 1
%
T:London March. JGi.114
M:C
L:1/8
Q:1/4=130
S:Joshua Gibbons MS,1823,Tealby,Lincs.
R:march
O:Tealby,Lincolnshire
Z:VMP/R.Greig, 2009
K:C
E2E>EE2D2|CE GcA2G2|AcGc FAEA|DCDE DFED|
E2E>EE2D2|CEGcA2G2|AcGc EGcd|e2d2c4:|
|:g>fed ggfe|defee2d2|c>dc>d e>fe>f|ggfee2d2|
g>fe>f ggfe|defee2d2|c>dc>d e>fe>f|
ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG|
DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:|

X:1
%
T:London March,The. TJD.54
M:C
L:1/8
Q:1/4=140
S:T.J.Dixon MS2, Lincolnshire, early 19thC
R:march
N:Repeat mark added at end
A:Lincolnshire, Holton le Moor
Z:vmp.R.Greig2010
K:G
B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|A2A>A A>cB>A|!
B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|b2a2g4:|!
|:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|!
d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|]

X: 1
%
T:London March,The. JMT.020
M:C
L:1/8
Q:1/4=140
S:J.Moore,Tyneside,1841.(14a)
R:.March
O:England
A:Northumbria
N:Irregular (bar missed out in the B music?
Z:vmp.John Adam
K:D
|:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 |!
F2 FF F2 E2 | DFAdB2 A2 | Bd Ad FA dg | f2 e2 d2 :||:!
(3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 |!
df Ad B2 A2 | Bd Ad Gd Fd |  E>DEF E4 | F2 FF F2 E2 |!
DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :|
W:Try repeating the first bar.

X:1
%
T:London March
M:4/4
L:1/8
B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 89)
Z:AK/Fiddler’s Companion
K:D
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>d/F/>d/|E>DE>F E2 E>E|
F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>c/d/>g/|f2 e2 d4!fermata!:|
|:A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2|
A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2!D.C.!:|

X:1
%
T:London March.TLY.015
M:4/4
L:1/8
Q:1/2=90
S:Wm.Tildesley,Swinton,Lancs.1860s.
R:.March
O:England.
A:Lancashire.
N:I have removed the D>E from the end of the A strain to the
N:beginning.CGP.
H:1860.
Z:vmp.Taz Tarry.
K:D
"*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|!
F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2|\
BdAd Gc ((3efg)|f2~e2d2:|!
|:f>g|a>gf>g g>agf|e>fg>g f2 e2|\
dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|!
|:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|!
F2 F>F F2 E2|DFAd B2A2|\
BdAd ((3Bcd) ((3efg)|f2~e2d4:|

X:1
%
T:London March, The
M:C|
L:1/8
R:March
B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 44)
Z:AK/Fiddler’s Companion
K:D
(DE)|F2 FF F2E2|D/E/F/G/ A/B/c/d/ {c}B2A2|BdAd GdFd|EDEF EGFE|
F2 FF F2E2|DFAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|
|:a2|a>gfg a2 gf|e>fgf f2 {gf}e2|DDDE FFFG|AAGF F2E2|
a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2|
f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|]

Tune annotations