White Cockade (1) (The) Click on the tune title to see or modify White Cockade (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:White Cockade (1) (The) Query the Archive
Theme code Index	3332 1331H
Also known as	Cnota Bán (An), Duke of Buccleugh's Tune (The), Ranting Highlander (The), Ranting Highlandman (The), Fiddler's Morris, Highland Laddie (3) (The), Lad with the White Cockade (The), Rose in the Garden (The), White Cock Head, O an ye were dead guidman, Highland lad my love was born (A), Wind Blew the Bonnie Lassie’s Plaidie Away (The)
Composer/Core Source
Region	Canada, England, Ireland, Scotland, United States
Genre/Style	Cape Breton/PEI, Contra, English, Irish, Northumbrian/Borders, Old-Time, Scottish
Meter/Rhythm	Country Dance, March/Marche, Reel (single/double)
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	2/2, 2/4, 4/4
History
Structure	AABB
Editor/Compiler	Biography:James Aird
Book/Manuscript title	Book:Selection of Scotch English Irish and Foreign Airs vol. 1
Tune and/or Page number	No. 1
Year of publication/Date of MS	1782
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Tune annotations

X:1
%
T:White Cockade [1]
M:C|
L:1/8
R:March
S:fifer Thomas Nixon Jr./Joseph Long copybook (c. 1776-78. pp. 90-91)
Z:AK/Fiddler’s Companion
K:G
GA|B2 Bc B2 AG|d2B2B2g2|d2 Bc B2 AG|FGAB A2 GA|
B2 Bc B2 AG|A2B2 g4|a2 f2 g2e2|d2B2 B3:|
|:Bc|d2 Bc g2 Bc|d2 de d4|edef gfga|b2 e2 e2 d>c/B/4|
g2 d2 BA G2|A2B2g4|a2f2g2e2|d2B2B2:||

X:1
%
T:Second to the White Cockcade
S:Thomas Calvert Collection, Kelso, Scotland (1799)
Z:Jack Campin May 2001
M:C
L:1/8
N:bars 7 and 15 are written |g/f/e/d/ c/B/A/G/| in the book
K:G
BA|G2B2 dBAB|d2G2 G2Bc|B2G2 G2F2|G2[F2A2] [F2A2]Bc|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2||
GA|B2G2 d2G2|B2ge d2Bc|B2G2 B2AB|c2 A2 [F2A2]BA|
G2B2 dBAB|c2d2 e2f2|gfed cBAG|B2G2 G2|]

X:1
%
T:White Cockade [1]
M:C
L:1/8
Q:"Allegretto"
B:Wilson - Companion to the Ball Room (1816, p. 39)
Z:AK/Fiddler's Companion
K:G
G/A/|BBBA/G/ dB BG/A/|BB BA/G/ BA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|
|:B/c/|dBgB dd dB/c/|dB gf/g/ aA AG/A/|BB BA/G/ AB g>a|b/a/g/f/ e/f/g/e/ dBB:|]

X:1
%
T:White Cockade [1]  (Scotch)
M:C
L:1/8
Q:"Allegretto"
R:Country Dance
B:Thomas Wilson - Companion to the Ball Room (1816, p. 54)
Z:AK/Fiddler's Companion
K:G
GA|B2B2 B2 AG|d2B2B2 GA|B2B2B2 AG|B2A2A2 GA|
B2B2B2 AG|A2B2 g3a|bagf efge|d2B2B2||
AB|d2B2g2B2|d2d2d2 Bc|d2B2 g2 fg|a2 A2A2 GA|
B2B2B2G2|A2B2 g3a|b2 ag g2 fe|d2B2B2||

X:1
%
T:White Cockade
M:2/4
L:1/8
R:Country Dance Tune
S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 154)
Z:AK/Fiddler’s Companion
K:G
gf|e/d/c/B/ d/B/A/G/|BBB g/f/|e/d/c/B/ d/B/A/G/|BAA G/A/|
B/G/B/d/ c/B/A/G/|AB !fermata!ga|b/a/g/f/ e/f/g/e/|d/B/A/B/ A:|
|:B/c/|dB/G/ gB/c/|ddd>e|dBgf/g/|aAA G/A/|
B/G/B/d/ c/B/A/B/|GB/d/ !fermata!ga|b/a/g/f/ e/f/g/e/|d/G/B/d/A:|]

X:1
%
T:White Cockade, The
M:2/4
L:1/8
Q:"Allegro Spiritoso"
R:Country Dance
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 199, p. 104)
Z:AK/Fiddler’s Companion
K:G
(G/A/)|.B.B.B (A/G/)|.B.B.B .g|.d.B (c/B/)(A/G/)|(BA).A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d.g (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B ||
(B/c/)|.d.B.g (B/c/)|{e}(d/^c/)(c/d/) .d(B/=c/)|.d.B.g (f/g/)|.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d. g(g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B (B/c/)|
(dB).g (B/c/)|{e}(d/^c/d/e/) .d(B/=c/)|(^c/d/e/f/ g/a/^a/b/)|=.a.A.A (G/A/)|
.B.B (c/B/)(A/G/)|.B.d!fermata! (g/a/)|(b/a/)(g/f/) (a/g/)(f/e/)|.d.B.B||

X:1
T:White Cockade [1], The
M:C|
L:1/8
Q:"Spiritoso"
R:Country Dance
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 22, p. 9)
Z:AK/Fiddler’s Companion
K:G
GA|B2 (Bd) (cB)(AG)|BABc B2 gf|(ed)(cB) (cB)(AG)|E2 A>A .A2 GA|
.B2 Bd cBAG|(Bd)(ef) gfga|(ba)gf (agf)e|d2B2B2||
Bc|.d2.B2.g2.B2|(dc)Bc d2B2|.d2 (Bd) .g2 fg|a2 A>A A2 (GA)|
.B2 (Bd) (cB)AG|(Bd)(ef) gfga|bagf agfe|d2B2B2||

X:1
%
T:White Cockade [1], The 
M:2/4
L:1/8
R:Pipe March
B:William Ross - Ross's Collection of Pipe Music (1869, No. 107, p. 99)
Z:AK/Fiddler's Companion
K:G
e|G>B BA/B/|G>B B/<B/g|G>B BA/G/|BA AG/A/|
B/<B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|d>B B<B:|
|:c|d>B g>B|d/e/d/B/ d>e|ed/B/ gf/g/|a>A A/G/A/B/|
B/B/e/d/ BA/G/|A/G/A/B/ gf/g/|ag/f/ e/f/g/e/|dB B<B:|]

X:3
%
T:White Cockade, The
L:1/8
M:C|
R:Country Dance
B:Stewart-Robertson – The Athole Collection (1884)
Z:AK/Fiddler’s Companion
K:G
GA|B2B2B2 AB|G2B2B2 ge|d2B2B2 AG|B2A2A2 GA|
B2 Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|
|:Bc|d2B2g2B2|d2d2d3e|d2B2g2fg|a2A2A2GA|
B2Bd cBAG|A2B2g3a|bagf efge|d2B2B2:|]

X:1
%
T:White Cockade [1]
M:2/4
L:1/8
R:Air and Reel
N:”As played by David R. Hamblon” (1809-1893, originally from Cumberland 
N:Gap, Lee County, western Virginia, as transcribed by his grandson, A. Porter Hamblon.
N:The key signature in the MS is (inexplicably) E Major.
Z:AK/Fiddler’s Companion
K:G
G/A/|BB B/A/G/B/|dB Bg/e/|dB B/A/G/A/|BA A2 G/A/|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|
|:dB gB|dB/B/ G2|dB gf/f/|aA/A/ A2|
BB B/A/G/B/|Bd g2|bg e/f/g/e/|Be e2:|]

Tune annotations