Annotation:Root Hog or Die (1)
X:1 T:Root Hog or Die [1] M:2/4 L:1/8 R:Clog dance tune S:Ryan’s Mammoth Collection (1883) Z:AK/Fiddler’s Companion K:A E | A/B/c/d/ e/c/z/e/ | e/c/a/c/ Bz/B/ | B/c/d/e/ f/d/z/f/ | f/d/b ez/e/ | e/f/g/a/ b/b/z/g/ | a/g/f/e/ az/c/ | d/B/c/A/ B/e/z/e/ | e/c/d/B/ A2 || (3a/a/a/a (3g/g/g/g | (3f/f/f/f c/e/z/e/ | E/A/F/A/ G/A/z/A/ | c/A/B/c/ F/A/z/A/ | .a.a .g.g (3f/f/f/f c/e/z/e/ | E/A/F/A/ G/A/z/A/ | c/A/B/G/ A ||
ROOT HOG OR DIE. American, Dance Tune and Air (2/4 time). A Major (Cole/Ryan): G Major (Ford). Standard tuning (fiddle). AB (Cole/Ryan): AABB (Ford). The phrase 'root hog or die,' whose exact meaning is unknown but whose general meaning is 'to become productive or perish,' first appears in the 1834 publication A Narrative Life of David Crockett. The tune is listed as a 'jig' in Ryan’s Mammoth Collection, referring not to the familiar Irish 6/8 time jig, but rather to a type of 19th century American syncopated duple-time banjo tune. These jigs were often called ‘straight’ or ‘sand’ jigs (the latter derived from the practice of spreading sand on the stage to reduce friction and facilitate foot movements). It was perhaps named for the type of dance to it (i.e. jig-dancing, a term borrowed from England) or perhaps from a derogatory term for African-Americans. It appears in a list of standard tunes in the square dance fiddler's repertoire, according to A.B. Moore in History of Alabama (1934). Charles Wolfe, commenting in his 1991 edition of African-American collector Thomas Talley’s Negro Folk Rhymes (originally published in 1922), says the song “has obscure origins in the pre-Civil War minstrel stage.” Talley gave a dialect stanza under the title “The Thrifty Slave”:
Jes wuk all day,
Den go huntin’ in de wood.
Ef you cain’t ketch nothin’
Den you hain’t no good.
Don’t look at Mosser’s chickens,
Caze dey’re roostin’ high.
Big pig, liddle pig, root hog or die!