Jenny Lind (1)

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Jenny Lind (1)  Click on the tune title to see or modify Jenny Lind (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Jenny Lind (1)
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 Theme code Index    3453H 52H51H
 Also known as    Bonnie Polka (Da), Bridal Polka (2), Heel and Toe Polka (1), Hole in Her Stocking, Jenny Lind Polka, Jenny Lind's Favorite Polka, Jenny Lind's Lieblings-Polka, Reel du Pont, Reel Lafrenière, Sally with the Run Down Shoes, Sal with the Run Down Shoes, Tempest (3) (The)
 Composer/Core Source    
 Region    Canada, England, Ireland, Scotland, United States
 Genre/Style    Contra, English, Irish, Morris, Northumbrian/Borders, Scottish, Shetland/Orkney
 Meter/Rhythm    Country Dance, Polka
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AA'BB'
 Editor/Compiler    Biography:M.E. Eames
 Book/Manuscript title    Book:M.E. Eames music manuscript collection
 Tune and/or Page number    p. 130
 Year of publication/Date of MS    1859
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


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{{ #viki:pageTitles=Jenny Lind (1)|width=1100|height=600|delimiter=,| }} Jenny Lind (1): Annotations


X:1 T:Jenny Lind’s Favorite Polka M:2/4 L:1/8 R:Polka S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 130) S:http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:G (Bd) (ce)|.d.b (b/^a/).b|.c.a (a/^g/).a|(Bg) (g/f/).g| (Bd) (ce)|(db) (b/^a/).b|(ca) (a/^g/).a|ggg z!fermata!|| .g.e (e/^d/)e|.d.B (B/^A/).B|.c.A (A/^G/).A|.B.G (G/F/).G| .g.e (e/^d/).e|.d.B (B/^A/).B|.c.A (A/^G/).A|GGG z| (3A/B/A/ ^G/A/ dF|AG (G/F/)G|(3A/B/A/ ^G/A/ gc|ed (d/^c/)d| (3A/B/A/ ^G/A/ dF|.A.G (G/F/)G|(3A/B/A/ (^G/A/) gc|ddd z!D.C.!||


X:1 T:Jenny Lind's Polka M:2/4 L:1/8 K:D A/G/|:FA/F/ GB|Af f/e/f|Ae e/d/e|Ad d/c/d/A/| FA/F/ GB|Af f>f|ge e/c/A/c/|1 ed dA/G/:|2 ed d (3d/e/f/|| K:G |:gg/f/ e/f/g/e/|dB B/A/G/B/|cA A/F/D/F/|AG G (3d/e/f/| ~g>f e/f/g/e/|dB B/A/G/B/|cA A/F/D/F/|1 AG G (3d/e/f/:|2 AG G||