Annotation:Swallow's Tail Reel (The)

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X:1 T:Swallow’s Tail, The T:Pride of the Ball (The) M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (Book 2, c. 1883, No. 152, pp. 32-33) B:http://grier.itma.ie/book-two#?c=0&m=0&s=0&cv=31&z=-759.8197%2C183.8508%2C4495.7388%2C2304.1667 N:Stephen Grier (c. 1824-1894) was a piper and fiddler from N:Newpark, Bohey, Gortletteragh, south Co. Leitrim. Z:AK/Fiddler’s Companion K:Amix e2 cA eAcA|Bc/d/ ef gfge|d2 Bd dGBG|GABc dcdf| eA cB/A/ eA cB/A/|Bc/d/ ef gefg|afge dfeA|A2 AB A4|| a2 ab aged|Bdef gfge|d2 Bd dGBG|GABc defg| a2 ab aged|Bdef gefg|afge dfec|A2 AB A4| a2 ab aged|Bdef gfge|d2 Bd dGBG|GABc defg| afbf gfed Bdef|gefg afge|dfec A2 af||



SWALLOW'S TAIL REEL, THE ("An earbuill ainleog," "Earball an ainleoige," “Driobhall na fáinleoige” or "Eireaball na fáinleoige"). AKA - "Swallowtail Reel." AKA and see "Family Estate (The)," "Girl with the Handsome Face (The),” "Joshua Gray," "McKenna's Reel," "Miss Wright's Reel," "Mollie's Bonnet," "Molloy's Night Cap," "Molly's Night Cap," "Pigeon on the Gate (5)," "Pride of the Ball (The)," "Queen's Wedding (The)," "Steeple Chase (1)," “Swallowtail Coat (The),” "Take Your Hand Away," "Village Reel." Irish, New England, Shetland; Reel. Ireland; County Sligo, Kilkenny, Leitrim, Donegal, Tyrone. Shetland, Yell. A Dorian (Am). Standard tuning (fiddle). AB (O'Neill/1850): AABB (Allan, Breathnach, Brody, Flaherty, Mallinson, Miller & Perron, O'Neill/Krassen, Sweet, Tolman, Tubridy). "Swallow's Tail" is a widespread reel with numerous variants and titles, current in several traditions. Mulvihill gives “Swallow’s Tail” as an accompaniment for the sixteen-hand reel. Caoimhin Mac Aoidh (1994) states the tune is more correctly called in County Donegal the “Swallow’s Tail Coat,” named after the long split-tail coats dancing masters wore. The late Donegal fiddler Danny O’Donnell (1910-2001) said that it was a very popular reel in his home of The Rosses, Donegal, for a particular type of dance, and that people in the lower Rosses knew it under the title “The Queen’s Wedding.” Breathnach (1985) gives titles for the tune in Ulster as “McKenna’s Reel,” “The Queen’s Wedding,” “Mollie’s Bonnet,” “Molloy’s Night Cap,” and “Joshua Gray.” Paddy Kelly (originally of Co. Tyrone) called the tune “McKenna’s Reel” after a local dancer named McKenna. The names under which it appears in O’Neill are “The Swallow’s Tail,” “The Steeplechase” and “Take your Hand Away,” while Ryan’s/Cole’s has it as “The Pigeon on the Gate” and “Pride of the Ball (The).” P.W. Joyce collected the tune in the mid-19th century in Kilkenny and printed it as an untitled reel in D Mixolydian in his Old Irish Folk Music and Songs (1909). Accordion player Joe Burke (b. 1939), originally from Coorhoor, above Loughrea in County Galway, has an early playing memory of fiddler Martin Hanny on a settle bed at a ‘station’ (house mass) fiddling this tune (Vallely & Piggott, Blooming Meadows, 1998), which so impressed him that he wished to get a similar sound on his accordion. An early recording of “The Swallow’s Tail” was by Ballybay, County Monaghan, piper Robert William “Willie” Clarke (1889-1934) for Columbia Records of London in 1928, for a series of records entitled “The Pipes of Three Nations” (which included a Highland piper and a Northumbrian small-piper). See also the related melody “Grand Gates of Annesbrook.” “McKenna’s (2)” is similar enough that it is sometimes called “The Old Swallowtail.”



Additional notes

Sources for notated versions : - fiddler Michael Coleman (County Sligo/New York City) [Breathnach]; flute player Colm O'Donnell (b. 1962, Aclare, County Sligo) [Flaherty].

Printed sources : - Breathnach (CRÉ III), 1985; No. 196, p. 87. Brody (Fiddler’s Fakebook), 1983; p. 270. Flaherty (Trip to Sligo), 1990; p. 14. Giblin (Collection of Traditional Irish Dance Music), 1928; 11. Lyth (Bowing Styles in Irish Fiddle Playing, vol. 1), 1981; 54. Mallinson (100 Enduring), 1995; No. 11, p. 5. McDermott (Allan's Irish Fiddler), c. 1920’s; No. 45, p. 11. Miller & Perron (New England Fiddlers Repertoire), 1983; No. 128. Mulvihill (1st Collection), 1986; No. 38, p. 126. O'Neill (Krassen), 1976; p. 108. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1268, p. 238. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 536, p. 100. Sweet (Fifer’s Delight), 1965/1981; p. 68. Tolman (Nelson Music Collection), 1969; p. 10. Tubridy (Irish Traditional Music, vol. 1), 1999; p. 19.

Recorded sources - Edison 50604 (78 RPM), John H. Kimmel (accordion player from New York City), 1918 (appears as last tune of "Bonnie Kate Medley Reels"). Folkways FG 3575, Barry, Gorman, Ennis, and Heaney "Irish Music in London Pubs." Gael-Linn CEF 045, “Paddy Keenan” (1975). Globestyle Irish CDORBD 085, The Kerry Fiddle Trio - “The Rushy Mountain” (1994. Reissue of Topic recordings). Shanachie 33002, Michael Coleman "The Legacy of Michael Coleman." Sonet 764, Dave Swarbrick and Friends "The Ceilidh Album.” Topic TSCD 602, K. Scanlon – “Irish Dance Music” (1995. A reissue of the 1929 original). Topic TSCD 669, Davie Rogerson (et al) – “Ranting and Reeling: Dance Music of the north of England” (1998. Northumbrian fiddler Rogerson was born in 1901). Ón tSean-Am Anall’ (Danny O’Donnell).

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Additional notes