Annotation:Sam and Elzie's
X:1 T:Sam and Elzie's S:Vivian & Phil Williams (Seattle) M:C| L:1/8 Z:Transcribed by Andrew Kuntz K:D (3dcB|A2F2[F2A2]Ac|dcde fedc|B2G2 [G3B3]A|BAGA BcdB| A2F2[F2A2](3ABc|d2[d2f2][A3a3]a-|af e/f/e d2:| |:e2|[d3f3]g f2d2|[d3g3]a g2e2|[d3f3]g fedf|edcB A2e2| [d3f3]g f2d2|[d3g3]a gefg|a2f2 efe2|d3e d2:|
SAM AND ELZIE. AKA – “Sam and Elsie.” AKA and see “Crooked Road.” Old-Time, Breakdown. D Major. Standard tuning (fiddle). AB. The tune appears to have Mid-West origins, although popularized on the West Coast by the Canote Brothers and fiddler Vivian Williams. Vivian obtained the tune from the relative of a playing partner, banjoist Harley Bray, his older brother Wilson whose father, Monte Monroe Bray, used to hear it at dances around Oscaloosa, south-central Illinois, in the late 1920's. Sam and Elzie were a father and son fiddle/guitar duo who played for square dances in the region, and there were song words to go with the melody. A version called "Crooked Road" can be found in the volume Dear Old Illinois (No. 51), played by Stelle Elam (Brownstown, Illinois, about 30 miles northwest of Oscaloosa.