Moll Roone

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Moll Roone  Click on the tune title to see or modify Moll Roone's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Moll Roone
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 Theme code Index    1341 1553
 Also known as    Molly Roone
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/2
 History    
 Structure    AB, AAB
 Editor/Compiler    Biography:H. Hannam
 Book/Manuscript title    Book:Hannam's Irish Melodies No. 3
 Tune and/or Page number    p. 9
 Year of publication/Date of MS    c. 1808-14
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Moll Roone M:C L:1/8 R:Air B:Hannam's selection of celebrated Irish melodies (c. 1808-14, p. 9) Z:AK/Fiddler's Companion K:G d|g2 (b>g) .c'(agf)|(gb)d'd' d'3b|(d'c') (ac') (c'b) g2|.c'(agf) g2:| |:d|(d>c) (Bc) .d(gfe)|(d>c) (Bc) d3g|g2 (eg) (gf) zd|(fed^c) .d>(=c'ba)| g2 (b>g) c'(agf)|(gb)(bd') d'3b|(d'c') (ac') (c'b) g2|.c'(agf) g2:||


X:1 T:Moll Roone M:C L:1/8 R:Air B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 51, p. 26) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:G D|G2 (B>G) (c>A) (G>F)|(GBd>).d d2 (B>d)|(dcA).c (cBG).B|(cA)(GF) G2 zD| G2 (B>G) (c<A) (G>F)|(GBd>).d .d2 (Bd)|(dcA).c (cBG).B|(c<A) (.G.F) G2z|| .d|(d>c).B.c (dgfe)|(d>c).B.c .d2 .g>.g|(g2 e).g (gf2) d|(fed^c) !fermata!d4 {ded^cd} {fed=cBdc>A}| G2 (B>G) (c>A) (GF)|(GBd>).d .d2 (B>d)|(dcA).c (dBG).B|(cAGF) G2z||


X:1 T:Moll Roone M:C L:1/8 B:Thomas Moore - Irish Melodies, vol. 5 (1813) Z:AK/Fiddler's Companion K:G D|G2 B>G c<A GF|GB d>d d2 B>d|dcAc cBGB|cAGF G2 zD| G2 B>G cAGHF|GB d>d d2 Bd|dcAc cBGB|c<A GF G2z|| d|d>c Bc dgfe|d>c Bc d2 g>g|g2 eg gf2 d|fed^c d=cBA| G2 B>G cAGF|GBd2 d2 B>d|dcAc cBGB|cAG F {F}G2||


X:1 T:Moll Roone T:Farewell! but whenever you welcome the Hour M:C L:1/8 R:Air Q:"Andante con Expressivo" B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 217, p. 105) Z:AK/Fiddler’s Companion K:G D|G2 (B>G) (c<A) GF|(GBd>e) d2 Bd|(dcAc) (cBGB)|(cAGF) G3D| [G,2G2] (B>G) (cAGF)|(GBd>e) d2 (Bd)|(dcAc) (cBGB)|(c<A) (GF) [B,3G3]|| d|(d>cBc) (dgfe)|(d>cBc) d2 g>g|g2 (eg) g f2d|(fed^c) (d=cBA)| [B2,G2] (B>G) (cAGF)|(GBd>e) d2 (B>d)|(dcAc) (cBGB)|(cAGF) [B,3G3]||







X: 1 U: ~ = !turn! %%topmargin 3cm T:Moll Roone B:Traditional Irish Fiddle Tunes. Randy Miller and Jack Perron. Z:Transcribed by Ralph Palmer S:Mary O'Hara R:Reel L:1/8 M:C| F:http://jc.tzo.net/~jc/music/book/Perron-Miller/Moll_Roone_1.abc K:D A, | D2 F>D GEDC | D>FAA A2 FA | AGEG GFD>F | GEDC D3 :: A | A>GFG AdcB | A>GFG A3 d | d2 Bd d(cc)A | cBA^G A=GFE | D2 F>D GEDC | D>FAA A2 FA | AGEG GFDF | GEDC D3 |]