Annotation:Burns Farewell
X:1 T:Burns' Farewell to Ayrshire M:C L:1/8 R:Air S:Howe - Complete Preceptor for the Accordeon (1843) Z:AK/Fiddler's Companion K:Amin ed | c2 A2 A2 GA | c2c2d2 cd | e2e2 efed | c2A2A2 :| |: ef | g2g2g2 fe | a2g2g2 fe | f2e2d2c2 | g2G2G2 ed | c2A2 A2 GA | c2c2 d2 cd | e2e2 efed | c2A2A2 :||
BURNS'S FAREWELL (TO AYRSHIRE). AKA - "Freemason's Farewell," "Masonic Adieu." AKA and see "Peacock (3) (The)," "Parting Glass (2) (The)." Scottish (originally), Irish; Air (4/4 time). A Minor (most versions): B Minor (Ross). Standard tuning (fiddle). AABB. The title (given erroneously as "Burn's Farewell" by O'Neill and "Burns Farewell to Ayrshire" by Howe) refers to the Scotch poet Robert Burns and his poem "The Farewell. To the Brethern of St. James’s Lodge, Tarbolton" in anticipation of his planned emigration to Jamaica. The song was printed in the Johnson's Scots Musical Museum, directed to be sung to the air "Goodnight and Joy Be Wi' You A'". This latter Scottish tune is said to be an antecedent to "Burns Farewell"/"Parting Glass" melody, but seems considerably distanced to this writer's ear. The "Burns Farewell" (similar versions by Howe and O'Neill) is more familiar to modern ears as the "The Parting Glass", popularized by Irish singer Tommy Makem in the 1960's, and is sometimes mistakenly attributed to Burns (who wrote no song or poem with those lines). See also the similar "Peacock (3) (The)", found in O'Farrell's Pocket Companion for the Union Pipes of the early 19th century. See also the "corrupt" Irish variant "Old Ireland a Long Farewell" and the related Amercian shape note hymn tune "Clamanda" (The Sacred Harp).
