Annotation:Go de sin den té sin
X:1 T: Go Dé Sin don Té Sin? R:Air M:6/8 L:1/8 B:James Goodman music manuscript collection Book 1 (p. 258) F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=261&z=-349.0448%2C1036.1419%2C11622.6877%2C4466.6667 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:D A|d>ed dAB|c>dc B2 d/B/|(B/A/)(G/F/)(E/D/) DFA|Bdd d2:| e/f/|ggg fff|(e/f/)(g/f/).e/.d/ B2 d/B/|(B/A/)(G/F/)(E/D/) DFA|Bdd d2 e/f/| ggg (f/a/)9g/f/).e/.d/|(e/f/)(g/f/).e/.d/ d2 d/B/|(B/A/)(G/F/)(E/D/) DFA|Bdd d2||
GO DE SIN DEN TÉ SIN. AKA and see: "Caide sin don té sin?," "Cad é sin don té sin?," "What is that to him," "What is that to him whom it does not concern," "What’s that to any one?." Irish, Air (6/8 time). D Major. Standard tuning (fiddle). AAB. Fr. John Quinn finds cognate melodies in “What's that to any one?” in Lynch's The Melodies of Ireland (1845-46)[1], albeit in 3/4 time, and in flautist John Clinton's Gems of Ireland (c. 1840), slightly more ornate, under the title “Greatest Diversion under the Sun"[2]. Edward Bunting's title "Caidé Sin Do'n Té Sin Nach mBaineann Sin Dó" (What is that to him whom it does not concern) is similar, but the melodies are quite different.
