Annotation:Drunken Sailor (1)
X:2 T:Drunken Sailor [1] M:2/4 L:1/8 B:O'Flannagan - Hibernia Collection (Boston, 1860) N:This is one of Elias Howe's publications Z:AK/Fiddler's Companion K:G D|GG/G/ GG|BdBG|AA/A/ AA|FAFD| GG/G/ GG|BdBG|eg f/g/a/f/|g3|| e|gg/a/ bg|fa fd|ee/f/ gf/e/|dgdB| c/B/c/d/ ed/c/|Bdgf|eg f/g/a/f/|g2z:||
DRUNKEN SAILOR [1], THE. AKA and see "Goodman's Quadrilles Figure 2," "Quick Step South Fencibles." English, Country Dance Tune (2/4 time); American, Dance Tune. USA, Michigan, southwestern Pa. D Major (Raven): G Major (Ford, Sweet). Standard tuning (fiddle). AB (O'Flannagan): AABB (Ford, Raven): AABBCC (Sweet). The tune has been used for numerous songs, play-party tunes, and ditties, including "Ten Little Indians" and "The Monkey's Wedding." Bayard (1981) thought that the tune was a simplified version of the Irish hornpipe called "Groves (The)" (O'Neill's Music of Ireland, Nos. 1598 & 1703), which in turn seemed to him to have been based on a "simple, fundamental strain" of the Scottish "Johnny Cope (1)." Ralph Sweet, in his collection for the fife, tacked on as a third part to the usual two parts of the tune the first part of the nautical melody known as "Earl-ie in the Morning." Fuld, in The Book of World Famous Music, traced the tune to manuscript collections of around 1800 and in print to the mid-1820's. However, origins have been further clarified by Fr. John Quinn who identifies the tune as "Quick Step South Fencibles", a march published in Glasgow by James Aird in 1785.
The tune appears as the second figure of a set of untitled quadrilles entered into the large mid-19th century music manuscript collection of County Cork cleric and uilleann piper Canon James Goodman (see "Goodman's Quadrilles Figure 2."