Rose Tree (The)

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X:1 T:Rose Tree, The M:2/4 L:1/8 B:Daniel McLaren - Collection of Strathspey Reels, etc. (Edinburgh, 1794) K:Bb (d/c/)|.B(G FD)|F2 (FG)|B2 d/c/B/c/|d>c !fermata!cd/c/|B(G FD)|F2 (FG)|B2 ed/c/B/c/|.d(B. B):| |:c|(dc) .d.e|(gf) (ed)|(cg) gf|gc !fermata!ce/d/|{fedc}BG FD|[B,2F2]FG|[D2B2] d/c/B/c/|dB B:| |:d/c/|B/d/G/B/ F/G/F/D?|F2 (FG)|B/d/f/b/ g/>f/e/d/|d>c cd/c/|B/d/B/G/ F/G/F/D/|F2 (F>G)|B/d/f/b/ f/e/d/c/|dB B:| |:c|d>c BV/d/c/e/|d/f/e/g/ (g/f/)e/d/|c>g g/f/e/d/|gc cd/c/|B/f/d/B/ A/d/F/D/| B,/D/D/F/ F/B/G/B/|1 F/B/d/f/ f/e/d/c/|dB B:|2 F/B/d/B/ F/D/C/E/|DB, B,|| |:d/c/|B/d/c/B/ A/G/F/E/|(D/F/)(B/G/) F>G|B/G/B/d/ f/d/Tc/B/|A>c cd/c/|B/d/c/B/ A/G/F/E/|E/B/G/B/ F>G|B/f/d/ g/e/c/f/|dB B:| |:c|d/e/c/d/ B/d/c/e/|d/f/e/g/ f/b/f/d/ |ce/d/ (c/g/).g/.f/|gc cd/c/|B/f/d/B/ F/B/G/B/ |F/G/F/D/ F>G|B/b/a/g/ f/d/c/f/|dB B:| |:d/c/|B>G (F/D/)(G/E/)|F/D/F/G/ F>G|(B/A/).G/.F/ (G/A/).B/.c/|d>c cd/c/|B>d G/B/A/G/|F/D/F/G/ F>G|B/d/c/B/ A/G/F/E/|DB, B,:| |:c|d>c B/F/c/F/|d/B/e/B/ f/d/c/B/|(e/d/).c/.B/ (g/f/).e/.d/|d>c c>(3f/2g/4a/4|bf/d/ BF/D/|B,/D/F/G/ F>G|B/b/f/d/ g/e/c/f/|dB B:| |:d/c/|(3B/d/c/ (3B/A/G/ (F/B/A/ (3G/F/E/|(3D/F/B/ (3E/G/B/ F>G|B/A/G/B/ F/B/F/D/|Cc- cd/c/|(3B/d/B/ (3c/B/A/ (3F/B/A/ (3G/F/E/| (3D/F/B/ (3E/G/B/ F>G|B/<<d/G/>>B/ F/.D/C/>F/|DB, B,,::c|d>c B/A/G/F/|G/B/A/c/ B>c|{e}dc/B/ A/B/c/d/| ec cd/c/|(3B/d/c/ (3B/A/G/ (3F/B/A/ (3G/F/E/|(3D/B,/D/ (3E/F/G/ F>G|(3B/c/d/ (3e/f/g/ (3f/d/B/ (3A/c/e/|dB B:|]

X:10 T:Rose Tree. MBe.10 A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 M:2/4 L:1/8 Q:1/4=100 R: N:NB1-The 7th bar of the A has the 4 semi-quavers written as quavers N:NB2-The 7th bar of the B has 5 semi-quavers. I have assumed that the first one is a crotchet. K:D f/e/|dB AG|A>BAc|d2 f/e/d/e/|fe e/g/f/e/|dB AG|A>BAc|d2 "^qu's in MS"f/e/d/e/|edd:| |:g|fefg|f/g/a gf|eaag|ae ef/e/|dB AG|A>BAc|"^NB2"d2 f/e/d/e/|fdd:|

X:1 T:Rosetree, The M:2/4 L:1/8 B: Henry Philerin Hudson - Collection of Irish Music, vol. 1 (c. 1840-50, No. 51) Z:AK/Fiddler’s Companion K:C e/d/|cA GE|G2 GA|c2 e/d/c/d/|ed de/d/|cA GE|G2 GA|c2 e/d/c/d/|ec c|| c|ed ef|g2e2 |da ag|ad !fermata!d g/4f/4e/4d/4|cA GE|G2 GA|c2 e/d/c/d/|ec c||

X:1 T:Rose Tree, The M:2/4 L:1/8 R:Country Dance Tune B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 20, p. 10) Z:AK/Fiddler's Companion K:F (a/g/)|.f.d.c.A|c3 d|f2 (a/g/f/).g/|(ag).g (a/g/)|.f.d.c.A|c>{e}dc d|f2 (a/g/).f/.g/|{f}a.f.f:| |:g|(ag).a>.b|c’2-b.a|(gd').d'.c'|(d'g){^fga}!fermata!g (a/g/)|=.f.d.c.A|(c>{e}d)c d|f>f (a/g/f/).g/|{fg}a.f.f:|]

X:2 T:Rose Tree, The M:2/4 L:1/8 Q:"Moderato" B:P.M. Haverty - One Hundred Irish Airs vol. 1 (1858, No. 90, p. 38) Z:AK/Fiddler's Companion K:Eb (g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gff (g/f/)|ecBG|B>cB c/d/|e>e g/f/e/f/|gee|| f|gfga|b2 ag|fc'c'b|c'ff (g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gee||

X:3 T:Rosetree, The M:2/4 L:1/8 R:Country Dance B:Hughes - Gems from the Emerald Isles (London, 1867,, No. 65, p. 15) Z:AK/Fiddler's Companion K:A c/B/|AFEC|E2 EF|A2 BA/B/|cBB c/>B/|AFEC|E2 EF|A2 c/B/A/B/|cAA|| d|cBcd|e2 dc|Bffe|fB!fermata!B !fermata!c/>B/|AFEC|E2 E>F|A2 c/B/A/B/|cAA||

X:4 T:Rose Tree M:C L:1/8 R:Polka or March K:D |:fe|d2 B2 A2 F2|AB AF A2A2| d2cde2 de| f2e2 eg fe| d2B2A2F2| AB AF A2A2 |d2cd (3efe de|f2d2d2:| |:e2|f3ef2g2| a4g2f2|e2b2b3a |b2e2 egfe | d2B2A2 FG |AB AF A2 FA|d2cd (3efe de| f2d2d2:|]