Annotation:Touchstone (The)
X:21 T:Touchstone. THO4.021, The A:England; London O: M:2/4 L:1/8 Z:vmp. Peter Dunk 2010/11.from a transcription by Fynn Titford-Mock 2007 B:Thompson's Compleat Coll. of 200 Favourite Country Dances Vol.IV. 1773-80 Q:1/4=100 K:D dfdf|(g/f/e/d/) (d/c/B/A/)|dfdf|aa a2|\ dfdf|(g/f/e/d/) (d/c/B/A/)|Bgec|d2-d2:| |:{cd}ed"_orig.e.c#."fd|geaf|B2 cd|(c/d/c/B/) A2 ecfd|\ geaf|Bb (a/g/f/e/)|d2-d2:|
The country dance title has the article 'the' as the first word, suggesting it does not refer to the Shakespearean character, however. A more likely stage association with the country dance is composer Charles Dibdin's (1745-1814) operatic pantomime The Touchstone; or, Harlequin Traveller (1779). "The Touchstone" country dance was printed in London by Longman, Lukey and Broderip in their Bride's Favourite Collection of 200 Select Country Dances, Cotillons (1776, Part 3, p. 93) and by Charles & Samuel Thompson in their Compleat Collection of 200 Favourite Country Dances vol. IV (1780, p. 9). Conveniently, Charles and Samuel Thompson published Dibdin's The Touchstone in 1779. Raven indicates it was published before 1730, although by what authority in not known, and the assertion is doubtful. Johnson (1988) prints a contra dance to the tune.