Yankee Doodle Dandy

Yankee Doodle Dandy Click on the tune title to see or modify Yankee Doodle Dandy's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Yankee Doodle Dandy Query the Archive
Theme code Index	1H2H1H2H 1H2H1H7
Also known as	Kitty Fisher's Jig
Composer/Core Source
Region	United States
Genre/Style	Contra, Military
Meter/Rhythm	Air/Lament/Listening Piece, March/Marche
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	2/4
History
Structure	AB, AAB, AABB, AABBA'A'B'B'
Editor/Compiler	Biography:Rev. James Pike
Book/Manuscript title	Book:Rev. James Pike music manuscript collection
Tune and/or Page number
Year of publication/Date of MS	1730
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score (1)	Yankey Doodle

Yankee Doodle Dandy: Annotations

X:1 T:Yankey Doodle M:2/4 L:1/8 B:Rev. James Pike music copybook (1730, Somersworth, New Hampshire) Z:AK/Fiddler's Companion K:D d2ef|dfec|d2 ef|d2 cA|d2 ef|gfed|cABc|d2d2:| |:d2 BG|dB =c2|ABAG FG A2|d2 BG|Bd =c2|ABce|d2d2:|]

X:1 T:Yankee Doodle M:2/4 L:1/8 S:Barton - The Disappointment; or, The Force of Credulity (1767, Air IV) Z:AK/Fiddler's Companion K:G (D|G) G A B|G G (F D)|G G B|G2 F(D|G) G A B|c B (AG)|F D E F |G2 G2|| |:E>=F D C|D ^F G2|D>E D C|(B,C) D2|E>=F E C|E ^F G G |D G F A |G2 Gz:|]

X:1 T:Yankee Doodle M:2/4 L:1/8 R:March S:Thomas Nixon Jr./Joseph Long copybook (c. 1776-78) Z:AK/Fiddler’s Companion K:G g2ab|gbaf|g2 ab|g2 fd|g2 ab|c'bag|fdef|g2g2:| |:g2 ec|eg f2|dedc|Bc d2|g2 ec|eg f2|defa|g2g2:|]

X:1 T:Yanky Doodle M:2/4 L:1/8 R:Country Dance B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 102, p. 36) N:Lines 5 & 6 of Aird's "Yanky Doodle" together are "What a Beau Your Granny was (1)" N:AKA "Over the Moor to Betty." Z:AK/Fiddler’s Companion K:D ddef|ddec|ddef|d2c2|ddef|ddec|AABc|d2d2:| |:d2 BG|BG B2|=c2 AG|FG A2|BG =c2|AB^cA|d2d2:| |:dfeg|fdec|dfeg|f2 ed|dfeg|fdec|AABc|d2d2:| |:d2 BG|Bd=cB|ABAG|FGAB|=cdcA|Bd=cA|AB^cA|d2 d>g:| |:fdec|dBAg|fdef|B2 Ag|fdec|dBAF|A2 Bc|d2 dg:| |:FAAd|BAAG|FAAd|B2 AG|FAAd|BAAF|A2 Bc|d2d2:| |:a2 af|a2 ag|f2e2|a2 af|gfef|A2 Bc|d2d2:| |:(B/A/B/c/) Bd|(A/G/A/B/) Ad|(B/A/B/c/) Bd|BAGF|(B/A/B/c/) Bd|(A/G/A/B/) Ad|A2 Bc|d2d2:|]

X:1 T:Yankie Doodle M:2/4 L:1/8 R:March B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 37) N:Dedicated to the Dutchess [sic] of Manchester N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and N:composer active in Edinburgh at the end of the 18th century. Originally from N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade N:of his life. Z:AK/Fiddler’s Companion K:D ddef|ddec|ddef |d2c2|ddef |ddec|AABc|[F2A2d2][FAd]:| |:d2 BG|BG B2|=c2 AG|FG A2|d2 BG|BG B2|AB^cA|[F2A2d2][FAd]:|]

X:2 T:Kitty Fisher’s Jig L:1/8 M:6/8 S:Rimbault, Leisure Hour, p. 90, 1876 N:Supposedly from Walsh’s Collection of Dances for the Year 1750 K:C c2c d2e|c2c B2G|c2c d2e|c3 B2G| c2c d2e|f2e d2c|B2G A2B|c3 c3|| A2A A2G|A2B c3|G2A G2F|E3 G3| c2c d2e|f2e d2c|B2g A2B|c3c3||

X:4 T:Adzooks, old crusty, why so rusty L:1/8 M:C S:Arnold – Two to One (1784) K:E B|eefg eedB|eef(g e2) dz/B/|e(efg) agfe|dBcd e2E|| |:B|ee fg ee dB|ee fg e2 dB|ee fg ag fe|BG cd e2 ez/f2e/2| dBcd e2e2::c>d cA cd e2|B>c BA G2B2| c>d cA cd e2|c>e df e2e2|c>edf e2E:|

X:1 T:Untitled M:2/4 L:1/8 R:March N:A version of "Yankee Doodle." S:Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, pp. 32-33) N:The tune is categorized as a march only due to its inclusion N:in a fifer’s ms., however the Woburn Fife Manuscript also contains N:dance tunes that may or may not have been employed as marches. Z:AK/Fiddler’s Companion K:D (3ABc|d>f e>f|d>fe>c|d>fe>f|d2 c>A|d>fe>f|g>fe>d| c>AB>c|d2d:||:z|d>cB>G|B>d c2|A>BA>G| F>G A2|d>cB>G|B>d c2|A>dc>e|d2 d:|]

X:1 T:Yankee Doodle with Variations M:2/4 L:1/8 B:Thomas F. Briggs - "Briggs' Banjo Instructor" (1855,p. 30) Z:AK/Fiddler's Companion K:G P:Young America GG/d/ A/d/B/d/|G/d/B/d/ A/d/F/d/|GG/d/ A/d/B/d/ |G/>B/ (3d/B/d/ A/F/ D/d/| GG/d/ A/d/B/d/ |c/d/B/d/ A/d/G/d/|F/d/D/d/ E/d/F/d/|G2 Gz:| |:d/d/ d/d/ B/d/ G/d/|B/d/ d/d/ cz|A/d/B/d/ A/d/ G/d/|FA z2| d/d/ d/d/ B/d/ G/d/|B/d/ d/d/ cz|F/d/ D/d/ E/d/ F/d/|G2 G z:| P:Var. Old America [G,DGB]G, A,B,|[G,DGB]B, A,2|[G,DGB]G AB|GG, D2|[G,DGB]G, A,B,|CB, A,B,|Dd F/d/ D/d/|G2 G,z:| |:EG, E/G,/D/G,/|E/G,/F G2|D/d/ D/d/ D/d/ C/d/ |B,/d/D z| EG, E/G,/E/G,/ |E/G,/F G2|D/d/ G/d/ F/d/ A/d/ |G2 G, :| P:Finale (3G/d/B/ (3G/B/d/(3A/F/A/ (3d/c/A/|(3G/d/B/ (3G/B/d/ (3F/A/d/ (3D/A/d/|(3G/d/B/ (3G/B/d/ (3A/F/A/ (3d/c/A/| (3G/d/B/ (3G/B/d/ (3F/A/d/ (3D/A/d/|(3G/d/B/ (3G/B/d/ (3A/F/A/ (3G/B/d/|(3c/d/c/ (3d/B/d/ (3A/d/A/ (3d/G/d/| (3F/A/d/ D (3F/A/d/ D|(3G/d/B/ (3G/D/d/ (3G,/d/B/ (3G/D/d/|(3F/d/A/ (3F/A/d/ (3D/F/d/ (3F/A/d/|[GB]z [DFAd]z |[G,DGB]z!fine!||

X:5 T:Yankee Doodle M:2/4 L:1/8 S:William Sydney Mount manuscripts. N:The tune appears on a page with a handwritten playing guide for the fife or tin N:whistle, addressed to John B. Mount and dated March 26th, 1861. At the bottom of the N:page he says: “For musical instructions, ask your Father, or , look at his instruction N:book, about time & the characters of the notes & the proportion they bear to each N:other. ‘Howe’s Violin Instructor’ will teach you. If you will apply yourself. I hope you N:will. WSM.” Elias Howe, of Boston, published several instructors and tutors in the N:mid-19th century, as well as a massive collection of tunes called Musician’s Omnibus. N:The ‘A’ part is the part that is now familiar to modern ears, however, the ‘B’ part N:appears to be in a transitional phase from 18th century versions, such as that printed by N:Aird (1782) and the one familiar to us today. Modern versions have dropped the ‘c’ N:natural note, a modal feature, and remain in the major key. Z:Transcribed by Andrew Kuntz K:D d2 ef | dfec | d2 ef | d2 cA | d2 ef | gfed | cABc | d2d2 :| |: d2 BG | Bd =c2 | ABAG | FG A2 | d2 BG Bd =c2 | Adce | d2d2 :|]

Yankee Doodle Dandy: Annotations