Annotation:Patie and Peggy

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X:1 T:Patie & Peggy M:C| L:1/8 B:Alexander Stuart – “Musick for Allan Ramsay’s Collection part 6” B:(Edinburgh, c. 1724, pp. 150-153) F: https://digital.tcl.sc.edu/digital/collection/rbc/id/3090 Z:AK/Fiddler’s Companion K:A V:1 c/B/|A(fe)d cB A2|(EC) E2 (Ad)dc|f3e (ed)(BA)|F3 E (FA) (ce)|(GA) B2 E2 zB| e3f (ec)(BA)|d3c (BA)(Bc)|E3D (CE)(AE)|f2 zf e2zd|cAEG A2:| |:e|e2-ae (cB)(AB)|(cB)(dc) (fe) e/(d/c)|B3A (GE)(GB)|e3f B/g/f (e>^d)|e3d (d2c)f| (e<c) (d/c/A) d>efe|dcBc E3=G|(FA)(dA) G3f|(ef)(eB) (dc)(B>A)|A6:| P:2nd Part [M:6/8](A>BA) (cBA)|E2E E2e|(dB)A cde|(fg)f e2e| a2d cBA|def f2e|^e>dB e>gf|G>FE E3|| z2B (Bc)d|(cA)d e3|(EGB) d3|cAc edc|BcA G3| e3- e>dc|d3- d>cB|cBA Bcd|E3 E2 (e/d/)|(cA)e A3|| V:2 clef = bass z|A,2G,2A,2 C,B,, |A,,2 A,G, F,2E,2|D,2 z2C,2E,2|D,E,D,C, D,C, A,,C|G,F, A,F, E,B,ED| CA,F,D, C,2E,2|B,,F,B,A, D3E|CB,CA, A,2C,2|D,F,A,D CA,G,E,|A,D,E,E,, A,,2:| |:z|z2A,2A,,2 z,E|A,2F,2D,2A,,2|E,A,G,F, E,3D,|C,A,, G,,A,, B,,2B,,2|E,F,G,E, A,3D,| C,4 F,2 DC|B,A,G,A, E,D, C,2|D,2B,,2 E,G,B,D|C3D E2E,2|A,,6:| [M:6/8]A,3 A,2C|B,2G, E,2G,|A,2z A,,2z|D,2D, A,2G,| F,2G, A,2G,|F,2D, A,,2A,|A,3 G,2A,|B,2B,, E,3|| E,2G, B,A,G,|A,3 C,A,,C,|E,3 E,G,B,|A,3 CB,A,|E,A,F, E,3| C,D,E, F,3|B,,C,D, E,3|A,3D,3|E,ED C,2B,,|A,2E, A,,3||



PATIE AND PEGGY. English, Air (whole time). D Major. Standard tuning (fiddle). AABBCCDD. Patie and Peggy: or, The Fair Foundling (1730) was a Scotch ballad opera by Theophilus Cibber staged at the Theatre-Royal in Drury-Lane. "Patie and Peggy" is also the name of a dialogue song by poet and playwright Allan Ramsay (1686-1758), first printed in a single sheet and later reprinted into his first collection of poems (1721) and then introduced into the second act of his masterwork The Gentle Shepherd (1725).

'Patie and Peggy', a youth comforts a weeping girl who sits by a pail; plate 9 of Alan Ramsay's 'Gentle Shepherd' as reworked for the 1808 Leith edition. 1788Etching and aquatint.

Patie:
BY the delicious warmness of thy mouth
And rowing eye, which smiling tells the truth,
I guess, my lassie, that, as well as I,
You ’re made for love, and why should ye deny?

Peggy:
But ken ye, lad, gin we confess o’er soon,
Ye think us cheap, and syne the wooing ’s done:
The maiden that o’er quickly tines her power,
Like unripe fruit will taste but hard and sour.

Patie:
But when they hing o’er lang upon the tree,
Their sweetness they may tine, and sae may ye;
Red-cheeked you completely ripe appear,
And I have tholed and wooed a lang half-year.

Peggy:
Then dinna pu’ me; gently thus I fa’
Into my Patie’s arms for good and a’.
But stint your wishes to this kind embrace,
And mint nae farther till we ’ve got the grace.

Patie:
O charming armfu’! Hence, ye cares away.
I ’ll kiss my treasure a’ the livelang day:
A’ night I ’ll dream my kisses o’er again,
Till that day come that ye ’ll be a’ my ain.

Chorus:
Sun, gallop down the westling skies,
Gang soon to bed, and quickly rise;
O lash your steeds, post time away,
And haste about our bridal day;
And if ye ’re wearied, honest light,
Sleep, gin ye like, a week that night.


Additional notes



Printed sources : - Oswald (Caledonian Pocket Companion, Book 6), 1760; p. 6. Alexander Stuart (Musick for Allan Ramsay’s Collection part 6), Edinburgh, c. 1724; pp. 150-153. William Thomson (Orpheus Caledonius, vol. II), 1733; No. 34, p. 137.






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