Annotation:Johnny MacGill
Tune properties and standard notation
JOHNNY/JOHNNIE McGILL/MACGILL. AKA and see "Come Under My Plaidie," "Black Rogue (1) (The)," "Rogaire Dubh (An)," "Before I Was Married," "Billy O'Rourke's Jig (1)." Scottish & Irish, Jig: American, March. USA, southwestern Pa. G Major (Aird, Bayard, Carlin, Howe, Johnson {1992 & 2003}, Skye): F Major (Alburger, Athole, Gow, Sharp, Skye): E Flat Major (Emmerson, Johnson). Standard tuning. AB (Emmerson, Johnson): AAB (Sharp): AABB (Aird, Alburger, Athole, Bayard, Carlin, Gow, Howe, Johnson, Skye). "A splendid jig tune" says Collinson (1966). It is generally accepted to have been the composition of Ayrshire musician John McGill (c. 1707-1760), from Girvin. Besides being a fiddler, he has also been described (by Robert Riddell of Glenriddell, 1794, with whom his name is said to have been associated) as the town piper, and, elsewhere, a violincello player. What is certain is that he was a dancing master in Girvan in 1752 as there is a MS of country dance and reel instructions for his pupils (Alburger, 1983). The tune was used by Burns for his song "Tibbie Dunbar" ("O, Wilt thou go wi' me, sweet Tibbie Dunbar"), and by Hector Macneil of near Roslin, Midlothian, for "Come Under My Plaidie." John Glen (1891) finds the first appearance of the tune in print in Joshua Campbell's 1778 collection (p. 31). Bayard (1981) called the tune a "fifer's favorite" as well as a popular song and dance tune in slow and quick versions. The tune is properly categorized as a Scotch jig, as its phrases are punctuated in the manner of a Scottish Measure (see Emmerson, 1971, p. 159). The melody is close to the Irish jig "Battering Ram."
Sources for notated versions: Hiram Horner (fifer from Westmoreland and Fayette Counties, Pa., 1944) [Bayard]; Dr. John Turner, director of the Jink and Diddle School of Scottish Fiddling, held yearly in Valle Crucis, North Carolina [Johnson/2003].
Printed sources: Aird (Selections of Scotch, English, Irish and Foreign Airs), vol. II, 1785; No. 119, p. 44. Alburger (Scottish Fiddlers and Their Music), 1983; Ex. 88, pp. 141-142. American Veteran Fifer, 1902 & 1927; No. 98. Bayard (Dance to the Fiddle), 1981; No. 635, pp. 540-550. Carlin (Master Collection), 1984; No. 168, p. 98. Cole (1000 Fiddle Tunes), 1940; p. 71. Emmerson (Rantin' Pipe and Tremblin' String), 1971; No. 83, p. 160. Gow (Complete Repository), Part 1, 1799; p. 28. Graham, 1908; pg. 269. Howe (1000 Jigs and Reels), c. 1867; p. 120. Johnson (Scots Musical Museum), vol. 3, 1787-1803; No. 207. S. Johnson (The Kitchen Musician's No. 10: Airs & Melodies of Scotland's Past), vol. 10, 1992 (revised 2001); p. 6. S. Johnson (A Twenty Year Anniversary Collection), 2003; p. 2. McGlashan (Collection of Scots Measures), c. 1780; p. 33 (appears as "Johnny McGill"). MacDonald (The Skye Collection), 1887; p. 175. Stewart-Robertson (The Athole Collection), 1884; p. 141.
Recorded sources: Fiddletree F2580, John Turner - "Fiddling Rogues and Rascals, vol. 1" (1981).
See also listings at:
Alan Snyder's Cape Breton Fiddle Recording Index []<be>
Jane Keefer's Folk Music Index: An Index to Recorded Sources