Boston Fancy (1)

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Boston Fancy (1)  Click on the tune title to see or modify Boston Fancy (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Boston Fancy (1)
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 Theme code Index    
 Also known as    Lamplighter's Hornpipe
 Composer/Core Source    
 Region    United States
 Genre/Style    Contra
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    USA/New England"USA/New England" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
 Structure    One part
 Editor/Compiler    Biography:Elizabeth Burchenal
 Book/Manuscript title    Book:American Country Dances vol. 1
 Tune and/or Page number    p. 39
 Year of publication/Date of MS    1917
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


BOSTON FANCY [1]. AKA and see "Lamplighter's Hornpipe." New England, Reel. A Major. Standard tuning (fiddle). One part. Burchenal prints a dance called "Boston Fancy" to this tune, which tune was more familiarly known to her by that title rather than its usual one ("Lamplighter's Hornpipe"). "Boston Fancy" was listed in the repertoire of Maine fiddler Mellie Dunham, who was Henry Ford's champion in the late 1920's; the name was that of the dance, however, for when he recorded it under the above title for Victor in 1926 (Vi 20001), the tune was in fact "The Tempest." Apparently either a version of the dance or tune "Boston Fancy" was also called "Lady Walpole's Reel [1]." It has been suggested (by, for one, Louie W. Attebery in his article "The Fiddle Tune: An American Artifact" {1979}) that the name change from "Lady Walpole's Reel" to Boston Fancy" came about due to anti-British sentiments during the War of 1812.

Printed source: Burchenal (American Country Dances, vol. 1), 1917; p. 39.


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