X:1
T:Jig
T:Bridal [1], The
M:6/8
L:1/8
R:Jig
S:James Goodman (1828─1896) music manuscript collection,
S:vol. 3, p. 150. Mid-19th century, County Cork
Z:AK/Fiddler’s Companion
K:G
GAG BAB|def gfe|dBG GFG|ABA/G/ FED|
GAG BAB|def gfe|dBG cBA|BGG G3:|
|:e3 edB|e2f g2a|bgg aff|gee edB|
e3 edB|e2f g2a|bgg aff|gee e3:|]
Bridal Jig (1) (The)Click on the tune title to see or modify Bridal Jig (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bridal Jig (1) (The)Query the Archive
X:1
T:Bridal, The
T:Bridal Jig [1], The
M:6/8
L:1/8
R:Jig
S:Michael B. Shanahan
S:P.D. Reidy music manuscript collection, London, 1890’s (No. 24)
N:”Professor” Patrick Reidy of Castleisland was a dancing
N:master engaged by the Gaelic League in London to teach
N:dance classes. He introduced “Siege of Ennis” and “Walls
N:of Limerick” ceili dances and wrote a treatise on dancing.
N:Reidy told O’Neill that his source, Shanahan was a “celebrated
N:violinist”, the son of a piper born in Kilrush, Co. Clare, with a
N:great reputation in Kerry and Limerick in the 1860’s. It is unclear
N:where Shanahan was in relation to his acquaintance with Reidy
N:(i.e. in London or Ireland).
F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up
Z:AK/Fiddler’s Companion
K:G
D|G2G BGB|def gfg|ecA dBG|FAG FED|
G2G BGB|def gfg|ecA dBG|cAF G2:|
|:B|Bee edB|def g2a|bag agf|e2e edB|
Bee edB|def g2a|bag agf|(e3 e2):|]
