Annotation:After the Hare
X:1 T:After the Hare M:2/4 L:1/8 K:A E/A/c/A/ e/A/c/A/|E/A/c/e/ d/B/B|E/A/c/A/ e/A/c/A/|a/f/e/d/ c/A/B/G/| E/A/c/A/ e/A/c/A/|E/A/c/e/ d/B/B/g/|{b}a/g/a/e/ f/a/e/c/|d/f/e/d/ c/A/A:| |:e|{b}a/g/a/e/ f/e/f/g/|a/f/e/c/ d/B/B/e/|{b}a/g/a/e/ f/a/e/c/|d/B/e/d/ c/A/A/e/| {b}a/g/a/e/ f/a/e/c/|{e}d/B/c/A/ B/A/.F|E/A/A/B/ c/A/a/f/|e/c/B/c/ A:||
AFTER THE HARE. AKA and see "Eleventh of October," “Ugly Customer (An).” American, Reel. A Major. Standard tuning (fiddle). AABB. The tune appears to be of Irish provenance, printed in R.M. Levey's Dance Music of Ireland vol. 2 (1873) as "Eleventh of October". Nigel Gatherer notices similarities with the Scottish tune “Duchess of Atholl's Slipper (The)," and there is a first strain similarity, although it is perhaps incidental and not cognate. See note for "Annotation:Ugly Customer (An)" for more.
