Bleckynden's Maggot: Difference between revisions
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|f_book_title=Compleat Collection of 200 Favourite Country Dances vol. 1 | |f_book_title=Compleat Collection of 200 Favourite Country Dances vol. 1 | ||
|f_collector=Charles and Samuel Thompson, | |f_collector=Charles and Samuel Thompson, | ||
|f_year=1757 | |f_year=1757 | ||
|f_page=No. 107 | |f_page=No. 107 | ||
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'''BLECKYNDEN'S MAGGOT'''. English, Jig. F Major. Standard tuning. AABB. The melody also appears in John Johnson's '''200 Favourite Country Dances''', vol. 8 (London, 1758), and (after their 1757 printing) was again published by the Thompson's in '''Complete Collection of 200 Favourite Country Dances''', vol. 3 (London, 1773). A 'maggot' in this context was a bit of melody, akin to the term 'fancy' or 'whim', a trifle of a melody (from the French and Italian magioletta); the term was characteristic of the late 17th and early 18th century, however, and by mid-18th century was out of fashion. | '''BLECKYNDEN'S MAGGOT'''. English, Jig. F Major. Standard tuning. AABB. The melody also appears in John Johnson's '''200 Favourite Country Dances''', vol. 8 (London, 1758), and (after their 1757 printing) was again published by the Thompson's in '''Complete Collection of 200 Favourite Country Dances''', vol. 3 (London, 1773). A 'maggot' in this context was a bit of melody, akin to the term 'fancy' or 'whim', a trifle of a melody (from the French and Italian magioletta); the term was characteristic of the late 17th and early 18th century, however, and by mid-18th century was out of fashion. | ||
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'''© 1996-2010 Andrew Kuntz. All Rights Reserved.''' | '''© 1996-2010 Andrew Kuntz. All Rights Reserved.''' | ||
<br> | <br> | ||
Engraver Valerio M. Pelliccioni | Engraver Valerio M. Pelliccioni | ||
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Latest revision as of 09:21, 6 May 2019
BLECKYNDEN'S MAGGOT. English, Jig. F Major. Standard tuning. AABB. The melody also appears in John Johnson's 200 Favourite Country Dances, vol. 8 (London, 1758), and (after their 1757 printing) was again published by the Thompson's in Complete Collection of 200 Favourite Country Dances, vol. 3 (London, 1773). A 'maggot' in this context was a bit of melody, akin to the term 'fancy' or 'whim', a trifle of a melody (from the French and Italian magioletta); the term was characteristic of the late 17th and early 18th century, however, and by mid-18th century was out of fashion.
Printed source: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 1), 1757; No. 107.
X:1 T:Bleckynden's Maggot M:6/8 L:1/8 B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757) Z:Transcribed and edited by Fynnian Titford-Mock, 2007 Z:abc's:AK/Fiddler's Companion K:F faf faf|gcc ccc|BdB BdB|AFF FFF|faf faf|gee fdd|ecc d=BB|cCC CCC:| |:gbg gbg|aff fff|bag fed|^cde e^cA|bgg aff|bgg aff|f/g/af cfe|f3 F3:||
© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraver Valerio M. Pelliccioni