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No relation to "Done Gone." Learned by Kentucky's Fiddlin' Doc Roberts (1897-1978) from African-American Madison County fiddler and bandleader Owen Walker (b. 1857) of whom he said, "He was the fiddlingest colored man that ever was around Kentucky. He played like a white man, only he could beat a white man" (Charles Wolfe). Gus Meade believes perhaps 70% of Robert's repertoire was obtained from Walker. Roberts revised the tune from Walker's original, and thought it an improvement. He recorded it in his first recording session in 1925 and re-recorded it again in Jan., 1930. Phillips transcribed the tune from the | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
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'''ALL I'VE GOT'S DONE GONE [1].''' No relation to "[[Done Gone]]." Learned by Kentucky's Fiddlin' Doc Roberts (1897-1978) from African-American Madison County fiddler and bandleader Owen Walker (b. 1857) of whom he said, "He was the fiddlingest colored man that ever was around Kentucky. He played like a white man, only he could beat a white man" (Charles Wolfe). Gus Meade believes perhaps 70% of Robert's repertoire was obtained from Walker. Roberts revised the tune from Walker's original, and thought it an improvement. He recorded it in his first recording session in 1925 and re-recorded it again in Jan., 1930. | |||
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''Source for notated version'': Phillips transcribed the tune from the playing of Doc Roberts. | |||
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''Printed sources'': Phillips ('''Traditional American Fiddle Tunes'''), vol. 2, 1995; p. 15. | |||
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''Recorded sources'': <font color=teal>Champion 16208 (78 RPM), Doc Roberts, 1930. County 412, Fiddling Doc Roberts - "Old Time Tunes" (1983). Gennett 3162 (78 RPM), Doc Roberts, 1925.</font> | |||
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Latest revision as of 11:00, 6 May 2019
Back to All I've Got's Done Gone (1)
ALL I'VE GOT'S DONE GONE [1]. No relation to "Done Gone." Learned by Kentucky's Fiddlin' Doc Roberts (1897-1978) from African-American Madison County fiddler and bandleader Owen Walker (b. 1857) of whom he said, "He was the fiddlingest colored man that ever was around Kentucky. He played like a white man, only he could beat a white man" (Charles Wolfe). Gus Meade believes perhaps 70% of Robert's repertoire was obtained from Walker. Roberts revised the tune from Walker's original, and thought it an improvement. He recorded it in his first recording session in 1925 and re-recorded it again in Jan., 1930.
Source for notated version: Phillips transcribed the tune from the playing of Doc Roberts.
Printed sources: Phillips (Traditional American Fiddle Tunes), vol. 2, 1995; p. 15.
Recorded sources: Champion 16208 (78 RPM), Doc Roberts, 1930. County 412, Fiddling Doc Roberts - "Old Time Tunes" (1983). Gennett 3162 (78 RPM), Doc Roberts, 1925.