Annotation:Dublin Streets: Difference between revisions
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'''DUBLIN STREETS''' (Sraidide/Sraide Baile-Ata-Cliat). AKA and see "[[Dublin Boys (The)]]," "[[Fig for a Kiss (2) (A)]]." Irish, Slip Jig (9/8 time). E Minor. Standard tuning (fiddle). AAB (Haverty, Levey, O'Neill): AABB (Kerr). The name Dublin is derived from the Gaelic dubh linne, or 'the black pool'. The melody is a version of "[[Fig for a Kiss (2) (A)]]," and more distantly related to the "[[Fig for a Kiss (1) (A)]]" tune family (which inclues "[[Dublin Boys (The)]]," "[[Gliogar an Mheadair]]," "[[Gurgling of the Churn (The)]]," "[[Milk the Churn]]," "[[Old Dutch Churn (The)]]," "[[Splashing of the Churn (2)]]," "[[Humors of Bottle Hill]]," "[[She is Fit for a Kiss]]," "[[Two in a Gig]]," and "[[Night of the Fun (2)]]"). The jig appears in the mid-19th century music manuscript collection of County Cork uilleann piper and Church of Ireland cleric James Goodman [http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=123&z=1158.8645%2C624.242%2C7374.2874%2C4466.6667], note-for-note the same as Levey's setting. | '''DUBLIN STREETS''' (Sraidide/Sraide Baile-Ata-Cliat). AKA and see "[[Dublin Boys (The)]]," "[[Fig for a Kiss (2) (A)]]." Irish, Slip Jig (9/8 time). E Minor. Standard tuning (fiddle). AAB (Haverty, Levey, O'Neill): AABB (Kerr). The name Dublin is derived from the Gaelic dubh linne, or 'the black pool'. The melody is a version of "[[Fig for a Kiss (2) (A)]]," and more distantly related to the "[[Fig for a Kiss (1) (A)]]" tune family (which inclues "[[Dublin Boys (The)]]," "[[Gliogar an Mheadair]]," "[[Gurgling of the Churn (The)]]," "[[Milk the Churn]]," "[[Old Dutch Churn (The)]]," "[[Splashing of the Churn (2)]]," "[[Humors of Bottle Hill]]," "[[She is Fit for a Kiss]]," "[[Two in a Gig]]," and "[[Night of the Fun (2)]]"). The jig appears in the mid-19th century music manuscript collection of County Cork uilleann piper and Church of Ireland cleric James Goodman [http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=123&z=1158.8645%2C624.242%2C7374.2874%2C4466.6667], note-for-note the same as Levey's setting. | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Giblin ('''Collection of Traditional Irish Dance Music'''), 1928; 91. P.M. Haverty ('''One Hundred Irish Airs vol. 2'''), 1858, No. 118, p. 54. Kerr ('''Merry Melodies, vol. 2'''), c. 1880's; No. 235, p. 26. Levey ('''First Collection of the Dance Music of Ireland'''), 1858; No. 19, p. 8. O'Neill (Krassen), 1976; p. 86. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1164, p. 219. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 438, p. 86. | ''Printed sources'': Giblin ('''Collection of Traditional Irish Dance Music'''), 1928; 91. P.M. Haverty ('''One Hundred Irish Airs vol. 2'''), 1858, No. 118, p. 54. Kerr ('''Merry Melodies, vol. 2'''), c. 1880's; No. 235, p. 26. Levey ('''First Collection of the Dance Music of Ireland'''), 1858; No. 19, p. 8. O'Neill (Krassen), 1976; p. 86. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1164, p. 219. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 438, p. 86. | ||
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''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
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