Annotation:Duncan MacQueen: Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
 
(4 intermediate revisions by one other user not shown)
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''DUNCAN MACQUEEN''' (Donnacha Mac Shuine). Scottish, Slow Strathspey. A Minor. Standard tuning (fiddle). AABCD (Athole): AABCCDD (Fraser). "This perhaps, will be as popular a melody as any in this volume. The only words the editor ever heard to it were from his father,--from whom he first heard the second and third parts. The first and last parts have been long communicated by Mr. Gow, and as long admired,--and he is good enough to say it loses none of its character, but much the reverse, as now presented" (Fraser). The melody was entered by multi-instrumentalist John Rook of Wigton, Cumbria, in his 1840 music manuscript collection.  
'''DUNCAN MACQUEEN''' (Donnacha Mac Shuine). Scottish, Slow Strathspey (cut time). A Minor. Standard tuning (fiddle). AABCD (Aird, Athole, Milne): AABCCDD (Fraser). "This perhaps, will be as popular a melody as any in this volume. The only words the editor ever heard to it were from his father,--from whom he first heard the second and third parts. The first and last parts have been long communicated by Mr. Gow, and as long admired,--and he is good enough to say it loses none of its character, but much the reverse, as now presented" (Fraser). The melody was entered by multi-instrumentalist John Rook of Wigton, Cumbria, in his 1840 music manuscript collection.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'':  
''Source for notated version'':  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': G.H. Davidson ('''Davidson's Gems of Scottish Melody'''), n.d. (c. 1830's); p. 36. Fraser ('''The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles'''), 1874; No. 87, pp. 32-33. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 57.  
''Printed sources'': Aird ('''Sixth and Last Volume of Scotch, English, Irish and Foreign Airs'''), 1803; No. 19, p. 8. G.H. Davidson ('''Davidson's Gems of Scottish Melody'''), n.d. (c. 1830's); p. 36. Fraser ('''The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles'''), 1816; No. 87, pp. 32-33. Manson ('''Hamilton's Universal Tune Book, vol. 1'''), 1853, p. 30. Milne ('''Middleton’s Selection of Strathspeys, Reels &c. for the Violin'''), 1870; p. 2. Stewart-Robertson ('''The Athole Collection'''), 1884; p. 57.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>

Latest revision as of 12:33, 6 May 2019

Back to Duncan MacQueen


DUNCAN MACQUEEN (Donnacha Mac Shuine). Scottish, Slow Strathspey (cut time). A Minor. Standard tuning (fiddle). AABCD (Aird, Athole, Milne): AABCCDD (Fraser). "This perhaps, will be as popular a melody as any in this volume. The only words the editor ever heard to it were from his father,--from whom he first heard the second and third parts. The first and last parts have been long communicated by Mr. Gow, and as long admired,--and he is good enough to say it loses none of its character, but much the reverse, as now presented" (Fraser). The melody was entered by multi-instrumentalist John Rook of Wigton, Cumbria, in his 1840 music manuscript collection.

Source for notated version:

Printed sources: Aird (Sixth and Last Volume of Scotch, English, Irish and Foreign Airs), 1803; No. 19, p. 8. G.H. Davidson (Davidson's Gems of Scottish Melody), n.d. (c. 1830's); p. 36. Fraser (The Airs and Melodies Peculiar to the Highlands of Scotland and the Isles), 1816; No. 87, pp. 32-33. Manson (Hamilton's Universal Tune Book, vol. 1), 1853, p. 30. Milne (Middleton’s Selection of Strathspeys, Reels &c. for the Violin), 1870; p. 2. Stewart-Robertson (The Athole Collection), 1884; p. 57.

Recorded sources:




Back to Duncan MacQueen