Annotation:From the Fair Lavinian Shore: Difference between revisions
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'''FROM THE FAIR LAVINIAN SHORE'''. English, Air (4/4 time). G Major. Standard tuning (fiddle). One part. The song appears in '''Academy of Compliments''' (1664). Jackson thought the words to have been by Shakespeare, on manuscript evidence, while the setting was by John Wilson. Kines (1964) says, "it is an early example of many pseudo-peddler songs which became popular in the 17th century." | '''FROM THE FAIR LAVINIAN SHORE'''. English, Air (4/4 time). G Major. Standard tuning (fiddle). One part. The song appears in '''Academy of Compliments''' (1664). Jackson thought the words to have been by Shakespeare, on manuscript evidence, while the setting was by John Wilson. Kines (1964) says, "it is an early example of many pseudo-peddler songs which became popular in the 17th century." | ||
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''Source for notated version'': | ''Source for notated version'': | ||
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''Printed sources'': Kines ('''Songs From Shakespeare's Plays and Popular Songs of Shakespeare's Time'''), 1964; p. 62. | ''Printed sources'': Kines ('''Songs From Shakespeare's Plays and Popular Songs of Shakespeare's Time'''), 1964; p. 62. | ||
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''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
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Latest revision as of 12:51, 6 May 2019
Back to From the Fair Lavinian Shore
FROM THE FAIR LAVINIAN SHORE. English, Air (4/4 time). G Major. Standard tuning (fiddle). One part. The song appears in Academy of Compliments (1664). Jackson thought the words to have been by Shakespeare, on manuscript evidence, while the setting was by John Wilson. Kines (1964) says, "it is an early example of many pseudo-peddler songs which became popular in the 17th century."
Source for notated version:
Printed sources: Kines (Songs From Shakespeare's Plays and Popular Songs of Shakespeare's Time), 1964; p. 62.
Recorded sources:
Back to From the Fair Lavinian Shore