Annotation:Hamburgh Dance (The): Difference between revisions

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'''HAMBURGH DANCE, THE'''.  English, Country Dance Tune (cut time). E Flat Major. Standard tuning (fiddle). AABB. The melody was originally published in Charles and Samuel Thompson's '''Compleat Collection''', vol. 3 (London, 1773), and subsequently in '''Bride's Favourite Collection of 200 Select Country Dances, Cotillons''' (London, 1776). The title reflects the influence of the Hanovarian Monarchy and its ties with Germany.  
'''HAMBURGH DANCE, THE'''.  English, Country Dance Tune (cut time). E Flat Major. Standard tuning (fiddle). AABB. The melody was originally published in Charles and Samuel Thompson's '''Compleat Collection''', vol. 3 (London, 1773), and subsequently in '''Bride's Favourite Collection of 200 Select Country Dances, Cotillons''' (London, 1776). The title reflects the influence of the Hanovarian Monarchy and its ties with Germany.  
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 3'''), 1773; No. 188.  
''Printed sources'': Thompson ('''Compleat Collection of 200 Favourite Country Dances, vol. 3'''), 1773; No. 188.  
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 13:22, 6 May 2019

Back to Hamburgh Dance (The)


HAMBURGH DANCE, THE. English, Country Dance Tune (cut time). E Flat Major. Standard tuning (fiddle). AABB. The melody was originally published in Charles and Samuel Thompson's Compleat Collection, vol. 3 (London, 1773), and subsequently in Bride's Favourite Collection of 200 Select Country Dances, Cotillons (London, 1776). The title reflects the influence of the Hanovarian Monarchy and its ties with Germany.

Source for notated version:

Printed sources: Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 3), 1773; No. 188.

Recorded sources:




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