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'''HELL ON THE POTOMAC [3]'''. AKA and see "[[Bridge of Lodi (The)]]," "[[Huntsman's Hornpipe (The)]]," "[[Nelson's Hornpipe (2)]]," "[[Murray's Hornpipe]]." American, March (2/4 time). USA, southwestern Pa. D Major. Standard tuning (fiddle). AB. The tune is a well-known hornpipe in the British Isles converted in America to a march and attracting a floating title. It is elswhere known as "[[Bridge of Lodi (The)]]" and "[[Huntsman's Hornpipe (The)]]/[[Hunter's Hornpipe]]".   
'''HELL ON THE POTOMAC [3]'''. AKA and see "[[Bridge of Lodi (The)]]," "[[Huntsman's Hornpipe]]," "[[Nelson's Hornpipe (2)]]," "[[Murray's Hornpipe]]." American, March (2/4 time). USA, southwestern Pa. D Major. Standard tuning (fiddle). AB. The tune is a well-known hornpipe in the British Isles converted in America to a march and attracting a floating title. It is elswhere known as "[[Bridge of Lodi (The)]]" and "[[Huntsman's Hornpipe (The)]]/[[Hunter's Hornpipe (1)]]".   
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''Source for notated version'': Hiram Horner (fifer from Westmoreland and Fayette Counties, Pa., 1944) [Bayard].  
''Source for notated version'': Hiram Horner (fifer from Westmoreland and Fayette Counties, Pa., 1944) [Bayard].  
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''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 354, p. 353.
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 354, p. 353.
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 14:23, 6 May 2019

Back to Hell on the Potomac (3)


HELL ON THE POTOMAC [3]. AKA and see "Bridge of Lodi (The)," "Huntsman's Hornpipe," "Nelson's Hornpipe (2)," "Murray's Hornpipe." American, March (2/4 time). USA, southwestern Pa. D Major. Standard tuning (fiddle). AB. The tune is a well-known hornpipe in the British Isles converted in America to a march and attracting a floating title. It is elswhere known as "Bridge of Lodi (The)" and "Huntsman's Hornpipe (The)/Hunter's Hornpipe (1)".

Source for notated version: Hiram Horner (fifer from Westmoreland and Fayette Counties, Pa., 1944) [Bayard].

Printed sources: Bayard (Dance to the Fiddle), 1981; No. 354, p. 353.

Recorded sources:




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