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'''JOBMAKER QUICK STEP, THE; or THE MILITIA.''' American (?), March (6/8 time). G Major. Standard tuning (fiddle). AABB. The march was entered into the c. 1776-1778 music copybook of fifer Thomas Nixon Jr. [http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40074b.htm] (1762-1842), of Framingham, Connecticut. Nixon was a thirteen-year-old who accompanied his father to the battles of Lexington and Concord, and who served in the Continental army in engagements in and around New York until 1780, after which he returned home to build a house in Framingham. The copybook appears to have started by another musician, Joseph Long, and to have come into Nixon’s possession. The notation is somewhat garbled in terms of note length and measure lines.  
'''JOBMAKER QUICK STEP, THE; or THE MILITIA.''' American (?), March (6/8 time). G Major. Standard tuning (fiddle). AABB. The march was entered into the c. 1776-1778 music copybook of fifer Thomas Nixon Jr. [http://www.framinghamhistory.org/framinghamhistory/Default/exhibit4/e40074b.htm] (1762-1842), of Framingham, Connecticut. Nixon was a thirteen-year-old who accompanied his father to the battles of Lexington and Concord, and who served in the Continental army in engagements in and around New York until 1780, after which he returned home to build a house in Framingham. The copybook appears to have started by another musician, Joseph Long, and to have come into Nixon’s possession. The notation is somewhat garbled in terms of note length and measure lines.  
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Latest revision as of 13:29, 6 May 2019

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JOBMAKER QUICK STEP, THE; or THE MILITIA. American (?), March (6/8 time). G Major. Standard tuning (fiddle). AABB. The march was entered into the c. 1776-1778 music copybook of fifer Thomas Nixon Jr. [1] (1762-1842), of Framingham, Connecticut. Nixon was a thirteen-year-old who accompanied his father to the battles of Lexington and Concord, and who served in the Continental army in engagements in and around New York until 1780, after which he returned home to build a house in Framingham. The copybook appears to have started by another musician, Joseph Long, and to have come into Nixon’s possession. The notation is somewhat garbled in terms of note length and measure lines.

Source for notated version:

Printed sources:

Recorded sources:




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