Annotation:Kissed Her Under the Coverlet: Difference between revisions
No edit summary |
m (Text replacement - "garamond, serif" to "sans-serif") |
||
| Line 1: | Line 1: | ||
'''Back to [[{{BASEPAGENAME}}]]''' | '''Back to [[{{BASEPAGENAME}}]]''' | ||
---- | ---- | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
'''KISS'D HER UNDER THE COVERLID'''. AKA and see: "[[Saw Ye Never a Bonny Lass]]." English, Slip Jig. England, Northumberland. G Mixolydian. Standard tuning (fiddle). AABBCC. The melody appears under this title in the 1770 Northumbrian music manuscript collection of William Vickers [http://www.asaplive.com/archive/detail.asp?id=R0307601]. Matt Seattle finds the tune cognate with "Saw Ye Never a Bonny Lass" from the William Dixon collection, and is of the opinion that the correct mode for the tune is mixolydian (pipe key) rather than dorian (as Vickers set it). Vickers' makes quite a few mistakes in key in his entries, some obvious and some questionable, and this tune would work in the dorian mode. | '''KISS'D HER UNDER THE COVERLID'''. AKA and see: "[[Saw Ye Never a Bonny Lass]]." English, Slip Jig. England, Northumberland. G Mixolydian. Standard tuning (fiddle). AABBCC. The melody appears under this title in the 1770 Northumbrian music manuscript collection of William Vickers [http://www.asaplive.com/archive/detail.asp?id=R0307601]. Matt Seattle finds the tune cognate with "Saw Ye Never a Bonny Lass" from the William Dixon collection, and is of the opinion that the correct mode for the tune is mixolydian (pipe key) rather than dorian (as Vickers set it). Vickers' makes quite a few mistakes in key in his entries, some obvious and some questionable, and this tune would work in the dorian mode. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Source for notated version'': William Vickers' 1770 Northumbrian music manuscript collection [Seattle] | ''Source for notated version'': William Vickers' 1770 Northumbrian music manuscript collection [Seattle] | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Printed sources'': Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 280. | ''Printed sources'': Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 280. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="4"> | ||
''Recorded sources'': <font color=teal></font> | ''Recorded sources'': <font color=teal></font> | ||
</font></p> | </font></p> | ||
Latest revision as of 14:07, 6 May 2019
Back to Kissed Her Under the Coverlet
KISS'D HER UNDER THE COVERLID. AKA and see: "Saw Ye Never a Bonny Lass." English, Slip Jig. England, Northumberland. G Mixolydian. Standard tuning (fiddle). AABBCC. The melody appears under this title in the 1770 Northumbrian music manuscript collection of William Vickers [1]. Matt Seattle finds the tune cognate with "Saw Ye Never a Bonny Lass" from the William Dixon collection, and is of the opinion that the correct mode for the tune is mixolydian (pipe key) rather than dorian (as Vickers set it). Vickers' makes quite a few mistakes in key in his entries, some obvious and some questionable, and this tune would work in the dorian mode.
Source for notated version: William Vickers' 1770 Northumbrian music manuscript collection [Seattle]
Printed sources: Seattle (Great Northern/William Vickers), 1987, Part 2; No. 280.
Recorded sources:
Back to Kissed Her Under the Coverlet