Annotation:Pavilion (2) (The): Difference between revisions

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'''PAVILION [2], THE.''' English, Quadrille Part or Jig (6/8 time). G Major. Standard tuning (fiddle). ABA. The melody was used as the fourth part of London dancing master Thomas Wilson's "3rd Set of Quadrilles." Quadrilles became very fashionable in London in from about 1815, and many quadrille sets were published in the next twenty or thirty years.
'''PAVILION [2], THE.''' English, Quadrille Part or Jig (6/8 time). G Major. Standard tuning (fiddle). ABA. The melody was used as the fourth part of London dancing master Thomas Wilson's "3rd Set of Quadrilles." Quadrilles became very fashionable in London in from about 1815, and many quadrille sets were published in the next twenty or thirty years.
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Wilson ('''A Companion to the Ball Room'''), 1816; p. 193.
''Printed sources'': Wilson ('''A Companion to the Ball Room'''), 1816; p. 193.
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''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
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Latest revision as of 14:33, 6 May 2019

Back to Pavilion (2) (The)


PAVILION [2], THE. English, Quadrille Part or Jig (6/8 time). G Major. Standard tuning (fiddle). ABA. The melody was used as the fourth part of London dancing master Thomas Wilson's "3rd Set of Quadrilles." Quadrilles became very fashionable in London in from about 1815, and many quadrille sets were published in the next twenty or thirty years.

Source for notated version:

Printed sources: Wilson (A Companion to the Ball Room), 1816; p. 193.

Recorded sources:




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