Annotation:Peter Kutz: Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
 
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''PETER KUTZ.''' AKA and see "[[Pretty Polly (5)]]," "[[Hi Bell]]." American, Song Tune and Reel. USA, southwestern Pa. C Major. Standard tuning (fiddle). AA'B. The title comes from Bayard's source's father, who used to sing to the tune, a once-popular Pennsylvania Dutch song. Bayard identified it as an international tune, probably French in origin, "current on the Continent and in the British Isles in two versions, and earlier one and a later one; and that the later set (corresponding to source Losch's air) is the only one to survive, in instrumental folk tradition." He links the tune to the large family of tunes that includes "[[Weaver's March (The)]]," "[[Come Jolly Bacchus]]," "[[Charles of Sweden]]" and other titles.  
'''PETER KUTZ.''' AKA and see "[[Pretty Polly (5)]]," "[[Hi Bell]]." American, Song Tune and Reel. USA, southwestern Pa. C Major. Standard tuning (fiddle). AA'B. The title comes from Bayard's source's father, who used to sing to the tune, a once-popular Pennsylvania Dutch song. Bayard identified it as an international tune, probably French in origin, "current on the Continent and in the British Isles in two versions, and earlier one and a later one; and that the later set (corresponding to source Losch's air) is the only one to survive, in instrumental folk tradition." He links the tune to the large family of tunes that includes "[[Weaver's March (The)]]," "[[Come Jolly Bacchus]]," "[[Charles of Sweden]]" and other titles.  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'': Samuel Losch (Juniata County, Pa., 1930's) [Bayard].  
''Source for notated version'': Samuel Losch (Juniata County, Pa., 1930's) [Bayard].  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 294B, pp. 249-250.
''Printed sources'': Bayard ('''Dance to the Fiddle'''), 1981; No. 294B, pp. 249-250.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>

Latest revision as of 14:33, 6 May 2019

Back to Peter Kutz


PETER KUTZ. AKA and see "Pretty Polly (5)," "Hi Bell." American, Song Tune and Reel. USA, southwestern Pa. C Major. Standard tuning (fiddle). AA'B. The title comes from Bayard's source's father, who used to sing to the tune, a once-popular Pennsylvania Dutch song. Bayard identified it as an international tune, probably French in origin, "current on the Continent and in the British Isles in two versions, and earlier one and a later one; and that the later set (corresponding to source Losch's air) is the only one to survive, in instrumental folk tradition." He links the tune to the large family of tunes that includes "Weaver's March (The)," "Come Jolly Bacchus," "Charles of Sweden" and other titles.

Source for notated version: Samuel Losch (Juniata County, Pa., 1930's) [Bayard].

Printed sources: Bayard (Dance to the Fiddle), 1981; No. 294B, pp. 249-250.

Recorded sources:




Back to Peter Kutz