Annotation:Punter's Graveyard: Difference between revisions

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'''PUNTER’S GRAVEYARD.''' American, Reel. B Minor. Standard tuning  (fiddle). AABB. Composed by Portland, Oregon, multi-instrumentalist Dan Compton. The title references Compton’s father-in-law’s view of the Limerick races, which begin the day after Christmas, and his observation that the experienced punters keep their money in their pockets, owing to the fact that the favorites seldom seem to win.  
'''PUNTER’S GRAVEYARD.''' American, Reel. B Minor. Standard tuning  (fiddle). AABB. Composed by Portland, Oregon, multi-instrumentalist Dan Compton. The title references Compton’s father-in-law’s view of the Limerick races, which begin the day after Christmas, and his observation that the experienced punters keep their money in their pockets, owing to the fact that the favorites seldom seem to win.  
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': Songer & Curley ('''Portland Collection'''), 1997; p. 162.  
''Printed sources'': Songer & Curley ('''Portland Collection'''), 1997; p. 162.  
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''Recorded sources'': <font color=teal>Jigsaw - “Cut Up the Floor” (1996).</font>
''Recorded sources'': <font color=teal>Jigsaw - “Cut Up the Floor” (1996).</font>
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Latest revision as of 14:36, 6 May 2019

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PUNTER’S GRAVEYARD. American, Reel. B Minor. Standard tuning (fiddle). AABB. Composed by Portland, Oregon, multi-instrumentalist Dan Compton. The title references Compton’s father-in-law’s view of the Limerick races, which begin the day after Christmas, and his observation that the experienced punters keep their money in their pockets, owing to the fact that the favorites seldom seem to win.

Source for notated version:

Printed sources: Songer & Curley (Portland Collection), 1997; p. 162.

Recorded sources: Jigsaw - “Cut Up the Floor” (1996).




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