Annotation:Rafraichissante (La): Difference between revisions

Find traditional instrumental music
No edit summary
m (Text replacement - "garamond, serif" to "sans-serif")
 
(2 intermediate revisions by one other user not shown)
Line 1: Line 1:
=='''Back to [[{{BASEPAGENAME}}]]'''==
=='''Back to [[{{BASEPAGENAME}}]]'''==
----
----
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
'''RAFRAICHISSANTE, LA.'''  French, Country Dance (6/8 time). G Major. Standard tuning (fiddle). AABBCC. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d’Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters.  He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. De Cat points out the tune is a close relative to the English jig “[[Whip her and gird her]].”  
'''RAFRAICHISSANTE, LA.'''  AKA and see "[[Ranger's Frolick]]," "[[Whip Her and Gird Her]]." French, Country Dance (6/8 time). G Major. Standard tuning (fiddle). AABBCC. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d’Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters.  He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. De Cat points out the tune is a close relative to the English jig “[[Whip Her and Gird Her]].”  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Source for notated version'':  
''Source for notated version'':  
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Printed sources'': Daubat ('''Cent Contredanses en Rond'''), 1757; No. 3.
''Printed sources'': Daubat ('''Cent Contredanses en Rond'''), 1757; No. 3.
<br>
<br>
<br>
<br>
</font></p>
</font></p>
<p><font face="garamond, serif" size="4">
<p><font face="sans-serif" size="4">
''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
</font></p>
</font></p>

Latest revision as of 14:37, 6 May 2019

Back to Rafraichissante (La)


RAFRAICHISSANTE, LA. AKA and see "Ranger's Frolick," "Whip Her and Gird Her." French, Country Dance (6/8 time). G Major. Standard tuning (fiddle). AABBCC. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d’Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. De Cat points out the tune is a close relative to the English jig “Whip Her and Gird Her.”

Source for notated version:

Printed sources: Daubat (Cent Contredanses en Rond), 1757; No. 3.

Recorded sources:




Back to Rafraichissante (La)