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'''REVIEW [1], THE.''' English, Reel (cut time). G Major. Standard tuning (fiddle). AABBCC. The melody was printed in London by publisher John Johnson in his '''Two Hundred Favourite Country Dances, vol. 7''' (1756). It was included by Northumbrian musician William Vickers' in his 1770 music manuscript collection.  
'''REVIEW [1], THE.''' English, Reel (cut time). G Major. Standard tuning (fiddle). AABBCC. The melody was printed in London by publisher John Johnson in his '''Two Hundred Favourite Country Dances, vol. 7''' (1756) and in '''Bride's Favorite Collection'''. A distanced version was included by Northumbrian musician William Vickers' in his 1770 music manuscript collection [http://www.farnearchive.com/detail.asp?id=R0306901].  
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''Source for notated version'':  
''Source for notated version'':  
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''Printed sources'': John Johnson ('''Two Hundred Favourite Country Dances, vol. 7'''), 1756; p. 84. Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 257.
''Printed sources'': John Johnson ('''Two Hundred Favourite Country Dances, vol. 7'''), 1756; p. 84. Seattle ('''Great Northern/William Vickers'''), 1987, Part 2; No. 257.
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''Recorded sources'': <font color=teal></font>
''Recorded sources'': <font color=teal></font>
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Latest revision as of 14:39, 6 May 2019

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REVIEW [1], THE. English, Reel (cut time). G Major. Standard tuning (fiddle). AABBCC. The melody was printed in London by publisher John Johnson in his Two Hundred Favourite Country Dances, vol. 7 (1756) and in Bride's Favorite Collection. A distanced version was included by Northumbrian musician William Vickers' in his 1770 music manuscript collection [1].

Source for notated version:

Printed sources: John Johnson (Two Hundred Favourite Country Dances, vol. 7), 1756; p. 84. Seattle (Great Northern/William Vickers), 1987, Part 2; No. 257.

Recorded sources:




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