Annotation:Midnight (3): Difference between revisions
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'''MIDNIGHT [3]'''. AKA and see "[[Owl Hoot]]." Old-Time, Breakdown. USA, Kentucky. A Mixolydian. Standard tuning (fiddle). AB (Titon/Woodward): AABB (Titon/Masters). The source for the tune is African-American fiddler Jim Booker, of Jessamine County, Ky., whom Mark Wilson says would play this somewhat odd tune at a dance late in the evening, allegedly in hopes of inducing a fight so that he might take a rest! | '''MIDNIGHT [3]'''. AKA and see "[[Owl Hoot]]." Old-Time, Breakdown. USA, Kentucky. A Mixolydian. Standard tuning (fiddle). AB (Titon/Woodward): AABB (Titon/Masters). The source for the tune is African-American fiddler [[biography:Jim Booker]], of Jessamine County, Ky., whom Mark Wilson says would play this somewhat odd tune at a dance late in the evening, allegedly in hopes of inducing a fight so that he might take a rest! Both John Masters and Jim Woodward learned the tune from Booker, however, their versions are quite different from one another, and, while still cognate, they stretch the boundaries of the term. | ||
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<p><font face=" | <p><font face="sans-serif" size="2"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - John Masters (Lexington, Fayette County, Ky., c.1975) [Titon]; Jim Woodward (Camp Nelson, Jessamine County, Ky., 1979) [Titon]. | <font color=red>''Source for notated version''</font>: - John Masters (Lexington, Fayette County, Ky., c.1975) [Titon]; Jim Woodward (Camp Nelson, Jessamine County, Ky., 1979) [Titon]. | ||
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<font color=red>''Printed sources''</font> : - Titon ('''Old Time Kentucky Fiddle Tunes'''), 2001; Nos. 104A, 104B, pp. 132–133. | <font color=red>''Printed sources''</font> : - Titon ('''Old Time Kentucky Fiddle Tunes'''), 2001; Nos. 104A, 104B, pp. 132–133. | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> -McDirlam Greene MGP Productions, Bruce Greene & Hilary Dirlam – "Fiddler's Dozen" (1994. Learned from African-American fiddler Jim Booker via Frankfort, Ky., fiddler Kelly Gilbert {or vice-versa}). | <font color=red>''Recorded sources'': </font> <font color=teal> -McDirlam Greene MGP Productions, Bruce Greene & Hilary Dirlam – "Fiddler's Dozen" (1994. Learned from African-American fiddler Jim Booker via Frankfort, Ky., fiddler Kelly Gilbert {or vice-versa}). | ||
Rounder CD 0377, "Traditional Fiddle Music of Kentucky, Vol. 2." | Rounder CD 0377, "Traditional Fiddle Music of Kentucky, Vol. 2." | ||
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<p><font face=" | <p><font face="sans-serif" size="2">See also listing at:<br> | ||
Hear John Master's recording made in the field in the 1980's by John Harrod at Berea Sound Archives [https://soundarchives.berea.edu/items/show/3470] and Slippery Hill [ https://www.slippery-hill.com/recording/midnight-1]<br></font></p> | Hear John Master's recording made in the field in the 1980's by John Harrod at Berea Sound Archives [https://soundarchives.berea.edu/items/show/3470] and Slippery Hill [ https://www.slippery-hill.com/recording/midnight-1]<br></font></p> | ||
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Latest revision as of 19:06, 6 May 2019
X:1 T:Midnight [3] S:John Masters (1904-1986, Lexington, Fayette County, central Ky.) M:C| L:1/8 Q:"Quick" N:Field recording by John Harrod c. 1975 F:https://www.slippery-hill.com/recording/midnight-1 N:https://soundarchives.berea.edu/items/show/3470 Z:Transcribed by Andrew Kuntz R:Reel K:Amix c3B A2 af|edcA E2EA|+slide+c3(B A2)+slide+cB|A2 FD EDEF| (AB){B}cB Acdf|edcA E2E2|+slide+c3(B A2)+slide+cB|A2 FD EDEF|| e3g fedf|e2 fg af g2|efge fedf|edcA E2E2| e3g fedf|e2 fg af g2|efge fedf|edcA E2A2|| P:1st measure of 1st strain, after 'B' part: +slide+c3B A2df|e
MIDNIGHT [3]. AKA and see "Owl Hoot." Old-Time, Breakdown. USA, Kentucky. A Mixolydian. Standard tuning (fiddle). AB (Titon/Woodward): AABB (Titon/Masters). The source for the tune is African-American fiddler biography:Jim Booker, of Jessamine County, Ky., whom Mark Wilson says would play this somewhat odd tune at a dance late in the evening, allegedly in hopes of inducing a fight so that he might take a rest! Both John Masters and Jim Woodward learned the tune from Booker, however, their versions are quite different from one another, and, while still cognate, they stretch the boundaries of the term.