Annotation:Old Vest and Cravat (The): Difference between revisions
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'''OLD VEST AND CRAVAT, THE''' (An Sean Beist 'S An Carabat). AKA and see "[[John Doe]]," "[[Shanavest and Caravat (1)]]/[[Shanavest and Corovoth (1)]]," "[[Wicked Yeoman]]." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. See note for "[[annotation:Shanavest and Caravat (1)]]." The vest and cravat tie were tokens of Irish faction fighters in the 19th century, but were also worn by a variety of classes in Europe and the United States, including laboring men, in the mid-19th century. | |||
[[File:catchingrabbits.jpg|550px|thumb|left|"Catching Rabbits" (1839), William Sydney Mount]] | |||
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''Source for notated version'': | <p><font face="sans-serif" size="2"> '''Additional notes''' </font></p> | ||
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''Printed sources'': O'Neill (Krassen), 1976; p. 197. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1698, p. 316. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 896, p. 154. | <font color=red>''Printed sources''</font> : - O'Neill (Krassen), 1976; p. 197. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1698, p. 316. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 896, p. 154. | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Latest revision as of 20:07, 6 May 2019
X:1 T:Old Vest and Cravat, The L:1/8 M:C| R:Hornpipe S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 896 Z:AK/Fiddler's Companion K:D FG|ABGA FGAB|cBcA d2 de|fedc AGFG|Adce d2 FG| ABGA FGAB|cBcA d2 de|fedc AGEC|D2 DD D2:| |:FG|Adde f2 ed|dcAG A2 AG|Adde f2 ed|dcec d2 de| fdef defg|fdcA cdef|dfed cAGE|D2 DD D2:|
OLD VEST AND CRAVAT, THE (An Sean Beist 'S An Carabat). AKA and see "John Doe," "Shanavest and Caravat (1)/Shanavest and Corovoth (1)," "Wicked Yeoman." Irish, Hornpipe. D Major. Standard tuning (fiddle). AABB. See note for "annotation:Shanavest and Caravat (1)." The vest and cravat tie were tokens of Irish faction fighters in the 19th century, but were also worn by a variety of classes in Europe and the United States, including laboring men, in the mid-19th century.
