Annotation:Roscoe Trillion: Difference between revisions
No edit summary |
m (Text replacement - "Century Gothic" to "sans-serif") |
||
| (One intermediate revision by one other user not shown) | |||
| Line 7: | Line 7: | ||
---- | ---- | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | <div style="text-align: justify; direction: ltr; margin-bottom: 90px; margin-left: 70px; margin-right: 120px;"> | ||
<br> | <br> | ||
'''ROSCOE TRILLION.''' Old-Time, Breakdown. G Major (‘A’ part) & D Major (‘B’ part). A Georgia title for (AKA and see) "[[Flop Eared Mule (1)]]," "[[Karo]]." The melody was recorded in Atlanta, Georgia, for Victor Records by fiddler Bill Helms of Thomastown, a village south of the city. Helms was backed on the recordings by Grady Owens (fiddle), John Hogan (banjo, guitar) and Ty Cobb Hogan (guitar), the group being billed on their 1928 recording as Bill Helms and His Upson County Band. Later, “in 1931, Helms recorded for Columbia with Riley Puckett and Gid Tanner as the Home Town Boys” (Wayne W. Daniel, '''Pickin’ on Peachtree''', 1990, p. 81). In a 1963 interview with collector Bob Pinson, Helms said his source for "Roscoe Trillion" was Vaughan Green, who hummed the tune for Helms, "and they worked it up for dances" (see "Tapescripts: Interview with Bill Helms, JEMF Newsletter Feb., 1967, pp. 54-58 [https://archive.org/stream/jemfnewsletterse1967john/jemfnewsletterse1967john_djvu.txt]). Pinson, transcribing the interview, records: "Most of the dances Helms played at were with a fellow named Vaughn Green, guitar player — this was in the early '20's before he [ed.- Helms] started with the conventions and working with Riley [ed.- Puckett, guitarist and singer]. He [ed.- Helms] and Vaughn used to play six nights a | '''ROSCOE TRILLION.''' Old-Time, Breakdown. G Major (‘A’ part) & D Major (‘B’ part). A Georgia title for (AKA and see) "[[Flop Eared Mule (1)]]," "[[Karo]]." The melody was recorded in Atlanta, Georgia, for Victor Records by fiddler Bill Helms (b. 1902) of Thomastown, a village south of the city. Helms was backed on the recordings by Grady Owens (fiddle), John Hogan (banjo, guitar) and Ty Cobb Hogan (guitar), the group being billed on their 1928 recording as Bill Helms and His Upson County Band. Later, “in 1931, Helms recorded for Columbia with Riley Puckett and Gid Tanner as the Home Town Boys” (Wayne W. Daniel, '''Pickin’ on Peachtree''', 1990, p. 81). In a 1963 interview with collector Bob Pinson, Helms said his source for "Roscoe Trillion" was Vaughan Green, who hummed the tune for Helms, "and they worked it up for dances" (see "Tapescripts: Interview with Bill Helms, JEMF Newsletter Feb., 1967, pp. 54-58 [https://archive.org/stream/jemfnewsletterse1967john/jemfnewsletterse1967john_djvu.txt]). Pinson, transcribing the interview, records: "Most of the dances Helms played at were with a fellow named Vaughn Green, guitar player — this was in the early '20's before he [ed.- Helms] started with the conventions and working with Riley [ed.- Puckett, guitarist and singer]. He [ed.- Helms] and Vaughn used to play six nights a | ||
week for months and months." | week for months and months." | ||
<br> | <br> | ||
| Line 17: | Line 17: | ||
<div class="noprint"> | <div class="noprint"> | ||
== Additional notes == | == Additional notes == | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Source for notated version''</font>: - | <font color=red>''Source for notated version''</font>: - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Printed sources''</font> : - | <font color=red>''Printed sources''</font> : - | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> - Victor 40079-A (78 RPM), Bill Helms and His Upson County Band (1928). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Victor 40079-A (78 RPM), Bill Helms and His Upson County Band (1928). </font> | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face=" | <p><font face="sans-serif" size="2"> | ||
See also listing at:<br> | See also listing at:<br> | ||
Hear Bill Helms' 1928 recording on youtube.com [https://www.youtube.com/watch?v=Iolv_ppChhE]<br> | Hear Bill Helms' 1928 recording on youtube.com [https://www.youtube.com/watch?v=Iolv_ppChhE]<br> | ||
Latest revision as of 20:14, 6 May 2019
X:1 T: No Score C: The Traditional Tune Archive M: K: x
ROSCOE TRILLION. Old-Time, Breakdown. G Major (‘A’ part) & D Major (‘B’ part). A Georgia title for (AKA and see) "Flop Eared Mule (1)," "Karo." The melody was recorded in Atlanta, Georgia, for Victor Records by fiddler Bill Helms (b. 1902) of Thomastown, a village south of the city. Helms was backed on the recordings by Grady Owens (fiddle), John Hogan (banjo, guitar) and Ty Cobb Hogan (guitar), the group being billed on their 1928 recording as Bill Helms and His Upson County Band. Later, “in 1931, Helms recorded for Columbia with Riley Puckett and Gid Tanner as the Home Town Boys” (Wayne W. Daniel, Pickin’ on Peachtree, 1990, p. 81). In a 1963 interview with collector Bob Pinson, Helms said his source for "Roscoe Trillion" was Vaughan Green, who hummed the tune for Helms, "and they worked it up for dances" (see "Tapescripts: Interview with Bill Helms, JEMF Newsletter Feb., 1967, pp. 54-58 [1]). Pinson, transcribing the interview, records: "Most of the dances Helms played at were with a fellow named Vaughn Green, guitar player — this was in the early '20's before he [ed.- Helms] started with the conventions and working with Riley [ed.- Puckett, guitarist and singer]. He [ed.- Helms] and Vaughn used to play six nights a
week for months and months."