Brown Maid (The): Difference between revisions
(Created page with '{{Abctune |f_tune_title=Brown Maid (The) |f_aka=Cailin Donn (An), Oh! Touch Dear Maid that String, Oh! Breathe Not His Name |f_country=Ireland |f_genre=Irish |f_rhythm=Air/Lament…') |
m (Text replacement - "=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=" to "[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]]") |
||
(10 intermediate revisions by one other user not shown) | |||
Line 1: | Line 1: | ||
{{Abctune | {{Abctune | ||
|f_tune_title=Brown Maid (The) | |f_tune_title=Brown Maid (The) | ||
|f_aka= | |f_aka=Cailín Donn (An), Oh! touch dear maid that string, Oh! breathe not his name | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
Line 10: | Line 10: | ||
|f_mode=Ionian (Major) | |f_mode=Ionian (Major) | ||
|f_structure=AB | |f_structure=AB | ||
|f_book_title=Music | |f_book_title=General Collection of the Ancient Irish Music | ||
|f_collector= | |f_collector=Edward Bunting | ||
|f_year= | |f_year=1796 | ||
|f_page=No. | |f_page=No. 32, p. 18 | ||
|f_theme_code_index=6542 2110 | |f_theme_code_index=6542 2110 | ||
}} | }} | ||
[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | |||
<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | |||
< | |||
< | |||
</ | |||
---- | ---- | ||
<pre> | <pre> | ||
X:1 | X:1 | ||
% | |||
T:Brown Maid, The | |||
M:C | |||
L:1/8 | |||
R:Air | |||
N:”Very slow” | |||
B:Bunting - General Collection of the Ancient Music of Ireland (1796, No. 32, p. 18) | |||
Z:AK/Fiddler’s Companion | |||
K:F | |||
"Very Slow"fe|(d>cA).c (BA)(GF)|(G>AF).F F2 z2|(BAGF) (ABc)c|d/e/f ed c3c| | |||
~(BA)~(GF) FFGA|(c>f)(ef) d2 fe|(d>cA).c (BA)GF|(DF)F>G F2|| | |||
</pre> | |||
<pre> | |||
X:1 | |||
% | |||
T:Brown Maid, The | |||
M:C | |||
L:1/8 | |||
R:Air | |||
N:”Dolce” | |||
B:John Clinton – Gems of Ireland: 200 Airs (1841, No. 38, p. 19) | |||
H:Irish-born Clinton was a flute teacher for the Royal Academy, London | |||
Z:AK/Fiddler’s Companion | |||
K:Bb | |||
"Pensively"(b>a)|(gfd).f (ed).c.B|(c>dB).B .B2 z.B|(edc).B (def).f| | |||
(g/a/b) a.g f2 (b>a)|(gfd).f (ed).c.B|(c>dB).B B2 z B{cB=AB}| | |||
(ed){d}(cB) (de) (=e/f/{a}g/f/)|(g/a/b) a.g f2 zf|(ed)(cB) .B z(c>d)|(fbab) {a}!fermata!g2 (b>a)| | |||
(gfd>).f (edcB)|(G<B) (B>c) B2 z.f|(ed){d}(c>B) >Bz (c>d)| | |||
(fb) a{ba^ga}(c'/>b/) {f}!fermata!g2 (b>a)|(gfd>).f (ed){d}(cB)|(GB) (B>{d}c) !fermata!B2|| | |||
</pre> | |||
<pre> | |||
X:1 | |||
% | |||
T:Brown Maid, The | |||
M:C | |||
L:1/8 | |||
R:Air | |||
B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 235, p. 114) | |||
Z:AK/Fiddler’s Companion | |||
K:F | |||
"Andante"(f>e)|(dcAc) (BAGF)|(G>AFF) F3F|(BAGF) (A>Bcc)|(d/e/f) (ed c2) (f>e)| | |||
(dcAc) (BAGF)|(G>AFF) F3F|(BAGF) (A>Bcc)|d/e/f (ed) [E3c3]|| | |||
c|(BAGF) F2 (G>A)|cfef {e}!fermata![F2d2] (f>e)|(dcA>c) (BAGF)|(DF) (F>G) F2|| | |||
</pre> | |||
<pre> | |||
X:2 | |||
% | |||
T:Brown Maid, The | |||
M:C | |||
L:1/8 | |||
N:Andante | |||
R:Air | |||
B:P.H. Hughes - Gems from the Emerald Isle (c. 1860's, No. 93, p. 22) | |||
Z:AK/Fiddler's Companion | |||
K:F | |||
fe|dcAc BAGF|G>AFF F3F|BAGF A>B cc|d/e/f ed c3c| | |||
BAGF F2 GA|cfef edf>e|dcAc BAGF|D2 F>G F2|| | |||
</pre> | |||
<pre> | |||
X:1 | |||
% | |||
T:Brown Maid, The | T:Brown Maid, The | ||
M:C | M:C | ||
Line 38: | Line 90: | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:F | K:F | ||
f>e | dcAc BAGF | G>AFF F2 zF | BAGF A>Bcc | d/e/f ed c2 zc | | "With expression"f>e | dcAc BAGF | G>AFF F2 zF | BAGF A>Bcc | d/e/f ed c2 zc | | ||
BAGF F2 zG>A | cfef {e}d2 f>e | d>cAc BAGF | DFF>G F2 || | BAGF F2 zG>A | cfef {e}d2 f>e | d>cAc BAGF | DFF>G F2 || | ||
F>G | ABcd cAGF | Acde f2 zc | fedc AdcA | DEFA G2 F>G | | F>G | ABcd cAGF | Acde f2 zc | fedc AdcA | DEFA G2 F>G | | ||
ABcd cAGF | Acde f2 f>e | dcAc BAGF |DFF>G F2 || | ABcd cAGF | Acde f2 f>e | dcAc BAGF |DFF>G F2 || | ||
</pre> | </pre> | ||
---- | ---- | ||
< | [[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: Annotations]] | ||
< | <!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS --> | ||
</ |
Latest revision as of 10:02, 6 June 2019
X:1 % T:Brown Maid, The M:C L:1/8 R:Air N:”Very slow” B:Bunting - General Collection of the Ancient Music of Ireland (1796, No. 32, p. 18) Z:AK/Fiddler’s Companion K:F "Very Slow"fe|(d>cA).c (BA)(GF)|(G>AF).F F2 z2|(BAGF) (ABc)c|d/e/f ed c3c| ~(BA)~(GF) FFGA|(c>f)(ef) d2 fe|(d>cA).c (BA)GF|(DF)F>G F2||
X:1 % T:Brown Maid, The M:C L:1/8 R:Air N:”Dolce” B:John Clinton – Gems of Ireland: 200 Airs (1841, No. 38, p. 19) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:Bb "Pensively"(b>a)|(gfd).f (ed).c.B|(c>dB).B .B2 z.B|(edc).B (def).f| (g/a/b) a.g f2 (b>a)|(gfd).f (ed).c.B|(c>dB).B B2 z B{cB=AB}| (ed){d}(cB) (de) (=e/f/{a}g/f/)|(g/a/b) a.g f2 zf|(ed)(cB) .B z(c>d)|(fbab) {a}!fermata!g2 (b>a)| (gfd>).f (edcB)|(G<B) (B>c) B2 z.f|(ed){d}(c>B) >Bz (c>d)| (fb) a{ba^ga}(c'/>b/) {f}!fermata!g2 (b>a)|(gfd>).f (ed){d}(cB)|(GB) (B>{d}c) !fermata!B2||
X:1 % T:Brown Maid, The M:C L:1/8 R:Air B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 235, p. 114) Z:AK/Fiddler’s Companion K:F "Andante"(f>e)|(dcAc) (BAGF)|(G>AFF) F3F|(BAGF) (A>Bcc)|(d/e/f) (ed c2) (f>e)| (dcAc) (BAGF)|(G>AFF) F3F|(BAGF) (A>Bcc)|d/e/f (ed) [E3c3]|| c|(BAGF) F2 (G>A)|cfef {e}!fermata![F2d2] (f>e)|(dcA>c) (BAGF)|(DF) (F>G) F2||
X:2 % T:Brown Maid, The M:C L:1/8 N:Andante R:Air B:P.H. Hughes - Gems from the Emerald Isle (c. 1860's, No. 93, p. 22) Z:AK/Fiddler's Companion K:F fe|dcAc BAGF|G>AFF F3F|BAGF A>B cc|d/e/f ed c3c| BAGF F2 GA|cfef edf>e|dcAc BAGF|D2 F>G F2||
X:1 % T:Brown Maid, The M:C L:1/8 R:Air N:"With expression" S:O'Neill - Music of Ireland (1903), No. 154 Z:AK/Fiddler's Companion K:F "With expression"f>e | dcAc BAGF | G>AFF F2 zF | BAGF A>Bcc | d/e/f ed c2 zc | BAGF F2 zG>A | cfef {e}d2 f>e | d>cAc BAGF | DFF>G F2 || F>G | ABcd cAGF | Acde f2 zc | fedc AdcA | DEFA G2 F>G | ABcd cAGF | Acde f2 f>e | dcAc BAGF |DFF>G F2 ||