Template:Featured Tune: Difference between revisions

Latest revision as of 17:08, 8 June 2019

On November 24, 1874, Joseph F. Glidden of DeKalb, Illinois, was granted a patent for fencing material consisting of barbs wrapped around a single strand of wire and held in place by twisting that strand around another. His original double-strand design, the Winner, lived up to its name; it is the most commercially successful of the hundreds of eventual barbed wire designs. Glidden was also the winner in a welter of litigation that reached all the way to the Supreme Court after some dozen other inventors claimed legal priority. Barbed wire was not immediately successful in Texas and elsewhere, especially with smaller cattle ranchers who depended on an 'open range' to sustain their operations. Their opposition led to the barbed wire conflicts of the 1880's, but eventually the ranges were fenced off. Although open range became a thing of the past, barbed wire helped cattlemen to breed herds in protected environments, thus negating the reliance on long-horned cattle that were more suitable to the open range.

TEXAS BARBED WIRE full Score(s) and Annotations and Past Featured Tunes

Played By: Jon Bekoff

@@ Line 1: / Line 1: @@
-<!-- REPLACE THE ABC CODE BETWEEN THE <PRE> </PRE> TAGS -->
+__NOABC__
+__NOTITLE__
+<p><font face="sans-serif" size="3">
+<div style="text-align: justify; direction: ltr; margin-left: 2pX; margin-right: 2px;">
+[[File:barbed.jpg|300px|thumb|left|Fenced In, by Bonnie Bruno]]
+On November 24, 1874, Joseph F. Glidden of DeKalb, Illinois, was granted a patent for fencing material consisting of barbs wrapped around a single strand of wire and held in place by twisting that strand around another.  His original double-strand design, the Winner, lived up to its name; it is the most commercially successful of the hundreds of eventual barbed wire designs. Glidden was also the winner in a welter of litigation that reached all the way to the Supreme Court after some dozen other inventors claimed legal priority. Barbed wire was not immediately successful in Texas and elsewhere, especially with smaller cattle ranchers who depended on an 'open range' to sustain their operations. Their opposition led to the barbed wire conflicts of the 1880's, but eventually the ranges were fenced off.  Although open range became a thing of the past, barbed wire helped cattlemen to breed herds in protected environments, thus negating the reliance on long-horned cattle that were more suitable to the open range.
+</div>
+</font></p>
 ----
-<pre>
+[[Annotation:Texas_Barbed_Wire|TEXAS BARBED WIRE full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
+[[File:Texas barbed wire g.mp3|left]]
+{{break}}
+*Played By: Jon Bekoff
+----
+<div class="noprint">
+<!-- {{#widget:SoundCloud |id=211669164}} -->
+<!-- {{#ev:youtube|hIH1FKXdrU8|dimensions=200x100}} -->
+</div>
+----
+<div class="no mobile">
 X:1
-T:I'm Asleep and Don't Awaken Me
+T:Texas Barbed Wire
-M:3/4
+M:C|
 L:1/8
-R:Air
+R:Reel
-N:"Moderate"
+Q:"Fast"
-S:O'Neill - Music of Ireland (1903), No. 599
+K:G
-Z:AK/Fiddler's Companion
+EE|D2+slide+B2 BcBG-|D2 [DB]A BdBG-|E3 [Ec]B cdcG-|E2 [Ec]B cdcG-|
-K:F
+DD +slide+BA BcBG-|DD BA BdBG|AFAB cBAc|BG[GB][GB][G2B2]:|
-F>D|C>E (F2F)z|F4 F2|G2 F/2G/2<A A/2G/2<F|D4 C2|
+Bc|dg[dg]f gfga|b2g2- gg-fg|abag fefg|a2f4Bc|
-D2F2 F2|A2 c2 d/2c/2<A|G3F A/2G/2<F|F4:|
+dg[dg]f gfga|b2g2- ge-fg|abae- fd[d2f2]|1 [B3g3][Bg] [Bg]dBc:|2[B3g3][Bg] [Bg]:|
-||c>d|{d}e4 ef/e/|{^c}d4 d_e/d/|{B}c4 d>e|d2c2A2|c2d2f2|f4 d>c|
+</div>
-A2G2F2|F>G D>F C2|{d}e4 f>_e|{^c}d4 =c>A|c>d f>d c>A|
-G>F D>F C2|~D2 F2 f2|[D2d2] c>A G>F|G4 F2|F4||
-|:F/2G/2<A|B2 cBAG|A2 BAGF|G>A c>G A>F|D4 C2|D2F2f2|d2 c<A G<F|G4 F2|F4:|
-C>D|[C4_E4] [CE] z|[B,4D4] [B,D] z|C4 Cz|C2A,2C2|C2D2F2|F3G F/2G/2<A|
-AG F/2G/2<A A/2G/2<F|D4 cd|[c4_e4][ce]|[B4d4] c<A|c>d f>d c>A|G>F D>F C2|
-~D2F2f2|d2 cA GF|G3F A/2G/2<F|F4||
-</pre>
-[[Annotation:I'm Asleep and Don't Awaken Me| Full annotations on I’m Asleep and Don’t Awaken Me]]
-<p><font face="garamond, serif" size="4">
-'''[[I'm Asleep and Don't Awaken Me | I'M ASLEEP AND DON'T AWAKEN ME]]''' (Ta Me Mo Codlad 'S na duisguig Me). AKA and see "[[Is_also_known_as::Erin Oh! Erin]]," "[[Is_also_known_as::I Am Asleep and Don't Waken Me (2)]]," "[[Is_also_known_as::Soft Mild Morning (A)]]," "[[Is_also_known_as::Like the Bright Lamp]]," "[[Is_also_known_as::Táimse im’ Chodladh]]." Irish, Air (3/4 time). F Major. Standard tuning (fiddle). AABCCD. Bunting prints this version of the melody as "[[I Am Asleep and Don't Waken Me (2)]]." "[[Táimse im’ Chodladh]]" is a different air with the same title. Sir Thomas Moore employed the melody for his song "Erin, Oh! Erin", which begins "Like the bright lamp."
-<br>
-<br>
-</font></p>
-----