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[[File:sylph.jpg|300px|thumb|left|link=|Priscilla Horton(1818 – 1895), was a popular English singer and actress, known for her role as Ariel in W. C. Macready's production of The Tempest in 1838 and "fairy" burlesques at Covent Garden Theatre.]]
[[File:barbed.jpg|300px|thumb|left|Fenced In, by Bonnie Bruno]]
A sylph was a kind of fairy; winged, kindly disposed to humans, often depicted as tiny cherubs. The title, however, is probably derived from a pantomime called '''The Sylphs; or, Harlequin’s Gambols''', staged at Covent Garden in 1774. The music for the production was by John Abraham Fisher (1744-1806), an English violinist and composer who began his career playing in London theatre orchestras, but who rose quickly to lead the Covent Garden orchestra (from c. 1769-1778). He wrote for the theatre, composed violin pieces, six symphonies and an oratorio, and also penned popular pleasure-garden songs. For a time he led the Vauxhall Garden orchestra.
On November 24, 1874, Joseph F. Glidden of DeKalb, Illinois, was granted a patent for fencing material consisting of barbs wrapped around a single strand of wire and held in place by twisting that strand around another. His original double-strand design, the Winner, lived up to its name; it is the most commercially successful of the hundreds of eventual barbed wire designs. Glidden was also the winner in a welter of litigation that reached all the way to the Supreme Court after some dozen other inventors claimed legal priority. Barbed wire was not immediately successful in Texas and elsewhere, especially with smaller cattle ranchers who depended on an 'open range' to sustain their operations. Their opposition led to the barbed wire conflicts of the 1880's, but eventually the ranges were fenced off. Although open range became a thing of the past, barbed wire helped cattlemen to breed herds in protected environments, thus negating the reliance on long-horned cattle that were more suitable to the open range.
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The melody appears in a number of 19th century English musician’s manuscripts under titles such as “The Self” (Joshua Gibbons,a miss-hearing of 'Sylph'), “The Sylph” (John Clare, John Moore), “The Cylph Dance,” etc., in a variety of keys. Moore gives the alternate title “[[Plymouth Lasses]].” The jig also appears in the music manuscripts of Lionel Winship (Wark, Northumberland, 1833), Rev. Robert Harrison (Brampton, Cumbria, 1820), John Rook (Cumbria, 1840), John Moore (Tyneside, 1841), the Hardy family (Dorset), William Calvert (Leyburn, north Yorkshire, 1812), John Baty (Bethel, Northumberland, 1840-60), Thomas Lambert (Ferrybridge, Yorkshire) and C.J. Surtees (Northumberland). In America the tune was published in '''Willig’s Collection of Popular Country Dances, No. 3''' (Philadelphia, Pa., 1812), and dance instructions were given in a few other publications.
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[[Annotation:Sylph_(The)|THE SYLPH full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
[[Annotation:Texas_Barbed_Wire|TEXAS BARBED WIRE full Score(s) and Annotations]] and [[Featured_Tunes_History|Past Featured Tunes]]
[[File:Texas barbed wire g.mp3|left]]
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*Played By: Jon Bekoff
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C:Page 28
X:1
T:Self [2]. MBe.55, The
T:Texas Barbed Wire
S:Matthew Betham MS, Towcett Cumbria, 1815
M:C|
O:England;Cumbria;Towcett
Z:VMP - Hugh Taylor, 2012
T:Sylph,aka. MBe.55, The
M:6/8
L:1/8
L:1/8
Q:3/8=120
R:Reel
R:Jig
Q:"Fast"
N:Someone has written in a different hand alongside the title, "Sylph"
K:G
N:Sylph is a mythological creature in the Western tradition, associated with invisible
EE|D2+slide+B2 BcBG-|D2 [DB]A BdBG-|E3 [Ec]B cdcG-|E2 [Ec]B cdcG-|
N:A beings/Fairies etc. reference that may be of interest. "More than 40 members
DD +slide+BA BcBG-|DD BA BdBG|AFAB cBAc|BG[GB][GB][G2B2]:|
N:of [the] Lakeland Dialect Society attended the first meeting of the year, at Greenodd,
Bc|dg[dg]f gfga|b2g2- gg-fg|abag fefg|a2f4Bc|
N: near Ulverston. Miss Clara Boyle, of Ambleside, pressed for the inclusion of Cumbrian
dg[dg]f gfga|b2g2- ge-fg|abae- fd[d2f2]|1 [B3g3][Bg] [Bg]dBc:|2[B3g3][Bg] [Bg]:|
N:dances and eventually in 1932 the Westmorland Six Reel was accepted, however it
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N:was renamed 'The Sylph.' much to the disgust of a man from Bowness who wrote a
N:letter of protest in dialect to The Westmorland Gazette" [the local weekly newspaper].
A|AFA dfa|agf e2 g|fag fed|cee e2 A|
AFA dfa|agf e2 g|fad egA|edd d3:|

Latest revision as of 17:08, 8 June 2019


Fenced In, by Bonnie Bruno

On November 24, 1874, Joseph F. Glidden of DeKalb, Illinois, was granted a patent for fencing material consisting of barbs wrapped around a single strand of wire and held in place by twisting that strand around another. His original double-strand design, the Winner, lived up to its name; it is the most commercially successful of the hundreds of eventual barbed wire designs. Glidden was also the winner in a welter of litigation that reached all the way to the Supreme Court after some dozen other inventors claimed legal priority. Barbed wire was not immediately successful in Texas and elsewhere, especially with smaller cattle ranchers who depended on an 'open range' to sustain their operations. Their opposition led to the barbed wire conflicts of the 1880's, but eventually the ranges were fenced off. Although open range became a thing of the past, barbed wire helped cattlemen to breed herds in protected environments, thus negating the reliance on long-horned cattle that were more suitable to the open range.


TEXAS BARBED WIRE full Score(s) and Annotations and Past Featured Tunes


  • Played By: Jon Bekoff


X:1 T:Texas Barbed Wire M:C| L:1/8 R:Reel Q:"Fast" K:G EE|D2+slide+B2 BcBG-|D2 [DB]A BdBG-|E3 [Ec]B cdcG-|E2 [Ec]B cdcG-| DD +slide+BA BcBG-|DD BA BdBG|AFAB cBAc|BG[GB][GB][G2B2]:| Bc|dg[dg]f gfga|b2g2- gg-fg|abag fefg|a2f4Bc| dg[dg]f gfga|b2g2- ge-fg|abae- fd[d2f2]|1 [B3g3][Bg] [Bg]dBc:|2[B3g3][Bg] [Bg]:|