Annotation:Catching of Quails: Difference between revisions

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'''CATCHING OF QUAILS'''. English, Country Dance Tune (6/8 time). G Major. Standard tuning (fiddle). ABB. The modality of this tune, which was originally published in Playford's '''Dancing Master''' (4th edition, 1670), shifts from C to G to D Major. It was retained in the long-running '''Dancing Master''' series through the 10th edition, 1698. The title was one specifically mentioned in plays of the 17th century as being for bagpipe repertoire (Collinson, '''The Bagpipe''', 1975).  
'''CATCHING OF QUAILS'''. English, Country Dance Tune (6/8 time). G Major. Standard tuning (fiddle). ABB. The modality of this tune, which was originally published in Playford's '''Dancing Master''' (4th edition, 1670), shifts from C to G to D Major. It was retained in the long-running '''Dancing Master''' series through the 10th edition, 1698. The title was one specifically mentioned in plays of the 17th century as being for bagpipe repertoire (Collinson, '''The Bagpipe''', 1975).  
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<p><font face="Century Gothic" size="2"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: -  
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<font color=red>''Printed sources''</font> : - Barlow ('''Complete Country Dances from Playford's Dancing Master'''), 1985; No. 197, p. 52. Sharp ('''Country Dance Tunes'''), 1909; p. 27.  
<font color=red>''Printed sources''</font> : - Barlow ('''Complete Country Dances from Playford's Dancing Master'''), 1985; No. 197, p. 52. Sharp ('''Country Dance Tunes'''), 1909; p. 27.  
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Latest revision as of 19:23, 11 June 2019


X:1 T:Catching of Quails L:1/8 M:6/8 Z:AK/Fiddler's Companion S:Sharp - Country Dance Tunes (1909) K:G c2 c c>BA|B2G G>e=f|g2g e>=fg|^f3 d3| c2c c>BA|B2G G>e=f|g2g e>=fg|^f3 d3|| |:f2g f2g|f2g f>ef|g2 =f e>dc|B3 G3| g2a g2a|g2a g2=f|e2d e>dc|B3 G3:||



CATCHING OF QUAILS. English, Country Dance Tune (6/8 time). G Major. Standard tuning (fiddle). ABB. The modality of this tune, which was originally published in Playford's Dancing Master (4th edition, 1670), shifts from C to G to D Major. It was retained in the long-running Dancing Master series through the 10th edition, 1698. The title was one specifically mentioned in plays of the 17th century as being for bagpipe repertoire (Collinson, The Bagpipe, 1975).

Additional notes

Source for notated version: -

Printed sources : - Barlow (Complete Country Dances from Playford's Dancing Master), 1985; No. 197, p. 52. Sharp (Country Dance Tunes), 1909; p. 27.

Recorded sources: -



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