Three Forks of Cumberland: Difference between revisions
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|f_collector=A. Porter Hamblon | |f_collector=A. Porter Hamblon | ||
|f_year=early 20th century | |f_year=early 20th century | ||
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|f_theme_code_index=3236L 35L21 | |f_theme_code_index=3236L 35L21 | ||
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N:Translated by John Marshall Gillaspy Anderson, Indiana, 1949. Copied | N:Translated by John Marshall Gillaspy Anderson, Indiana, 1949. Copied | ||
N:by A. Porter Hamblon , Del Rio, Texas.” | N:by A. Porter Hamblon , Del Rio, Texas.” | ||
N:The tune sounds better when played in A mixoldyian (7b) throughout. | |||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:A | K:A | ||
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Latest revision as of 10:50, 13 June 2019
Three Forks of Cumberland: Annotations
X:1 T:Three Forks of Cumberland M:2/4 L:1/8 R:Reel S:The Hamblon manuscript, containing tunes arranged and transcribed by S:A. Porter Hamblon (1875-195-), “as played by David Russell Hamblon S:(1809-1893) and his son Williamson (1846-1920).” N:”A Virginia violin melody as played by David Russel Hamblon, 1840’s. N:Translated by John Marshall Gillaspy Anderson, Indiana, 1949. Copied N:by A. Porter Hamblon , Del Rio, Texas.” N:The tune sounds better when played in A mixoldyian (7b) throughout. Z:AK/Fiddler’s Companion K:A A|c/d/e/c/ B/A/G/A/|B<A F2|c<e Ed|B/A/G/B/ A>B| c/d/e/c/ B/A/G/A/|B<A E2|c<e Ed|B/A/G/B/ Az:|| e/ab/ a=g/f/|e/f/g/a/ ba/=g/|e/ab/ ag|e/f/e/d/ B/A/G/A/| B<A E2|e/ab/ a=g/f/|e/f/g/a/ ba/=g/|e/ab/ ag| e/f/e/d/ B/A/G/A/|B<A E2|c<e Ed|B/A/G/B/ Az||
Three Forks of Cumberland: Annotations