Annotation:Blackfoot: Difference between revisions
m (Text replacement - "<p><font face="sans-serif" size="2">" to "<p><font face="sans-serif" size="3">") |
No edit summary |
||
| (One intermediate revision by one other user not shown) | |||
| Line 8: | Line 8: | ||
<div style="page-break-before:always"></div> | <div style="page-break-before:always"></div> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
<div style="text-align: justify | <div style="text-align: justify;"> | ||
<br> | <br> | ||
'''BLACKFOOT'''. American, Reel (cut time). USA, Kentucky. G Major. Standard tuning (fiddle). AABB. There are extra beats in a measure in both strains, making it a 'crooked' (irregular) tune. Titon says that his source, Clyde Davenport, is the only older musician he has heard play this tune in tradition. | '''BLACKFOOT'''. American, Reel (cut time). USA, Kentucky. G Major. Standard tuning (fiddle). AABB. There are extra beats in a measure in both strains, making it a 'crooked' (irregular) tune. Titon says that his source, Clyde Davenport, is the only older musician he has heard play this tune in tradition. | ||
<br> | |||
<br> | <br> | ||
</div> | </div> | ||
Latest revision as of 02:24, 26 September 2019
X:1 T:Blackfoot S:Clyde Daventport (b. 1921, Monticello, Ky.) M:C| L:1/8 R:Reel D:Clyde Davenport - Puncheon Camps (1992) F:https://www.slippery-hill.com/recording/blackfoot Z:Transcribed by Andrew Kuntz K:G G2[GB]-[GA][G2B2] [GB]-[GA]|[G_B]-[G=B][GB][GA] BAGB|dedB G2[G2B2]|[M:6/4]dBGB AG[GB][GA] [G2B2]BA| [M:C|]G2[GB]-[GA][G2B2] [GB]-[GA]|[G_B]-[G=B][GB][GA] BAGB|dedB G2[G2B2]|dBGB A(G[G2B2]) || (Ad2)e f2d2|[B2g2][B2g2][Bg]gag|fd[d2f2](Ad2)e| [B2g2][B2g2][Bg]age|dBAc B(G[G2B2])|(Ad2)e f2d2|[B2g2][B2g2][Bg]gag| fd[d2f2](Ad2)e|[B2g2][B2g2][Bg]age|[M:6/4] dBAc B(G[GB])[GA][G2B2]BA||
BLACKFOOT. American, Reel (cut time). USA, Kentucky. G Major. Standard tuning (fiddle). AABB. There are extra beats in a measure in both strains, making it a 'crooked' (irregular) tune. Titon says that his source, Clyde Davenport, is the only older musician he has heard play this tune in tradition.