Annotation:Frisky (1): Difference between revisions

Latest revision as of 00:13, 13 December 2019

FRISKY. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky," but this particular melody appears unique to Peacock's publication.

Additional notes

Source for notated version: -

Printed sources : Peacock (Peacock’s Tunes), c. 1805; No. 1, p. 1.

Recorded sources: - Heritage XXXIII, Forest Pick (Ohio) - "Visits" (1981). Ruthie Dornfeld, Kristian Bugge and Jamie Fox - "3 Fiddlers 3 Traditions" (2017).

Back to Frisky (1)

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-[[{{BASEPAGENAME}}|Tune properties and standard notation]]
+__NOABC__
+<div class="noprint">
+<p><font face="sans-serif" size="2"> Back to [[{{BASEPAGENAME}}]] </font></p>
+</div>
 ----
-<p><font face="garamond, serif" size="4">
+{{#lst:{{PAGENAME}}|abc}}
-'''FRISKY'''. English, Reel. England, Northumbrian. G Major. Standard tuning. AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800.
+----
-<br>
+<div style="page-break-before:always"></div>
+<p><font face="sans-serif" size="2">
+<div style="text-align: justify;">
 <br>
+'''FRISKY'''. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky," but this particular melody appears unique to Peacock's publication.
+{{break|2}}
+</div>
 </font></p>
-<p><font face="garamond, serif" size="4">
+<div class="noprint">
-''Source for notated version'':
+<p><font face="sans-serif" size="2"> '''Additional notes''' </font></p>
+<p><font face="sans-serif" size="2">
+<font color=red>''Source for notated version''</font>: -
 <br>
 <br>
 </font></p>
-<p><font face="garamond, serif" size="4">
+<p><font face="sans-serif" size="2">
-''Printed sources'': Peacock ('''Peacock’s Tunes'''), c. 1805/1980; No. 1, pg. 1.
+<font color=red>''Printed sources''</font> : Peacock ('''Peacock’s Tunes'''), c. 1805; No. 1, p. 1.
 <br>
 <br>
 </font></p>
-<p><font face="garamond, serif" size="4">
+<p><font face="sans-serif" size="2">
-''Recorded sources'': <font color=teal></font>
+<font color=red>''Recorded sources'': </font> <font color=teal> - Heritage XXXIII, Forest Pick (Ohio) - "Visits" (1981). Ruthie Dornfeld, Kristian Bugge and Jamie Fox - "3 Fiddlers 3 Traditions" (2017).</font>
 <br>
 <br>
 </font></p>
-<p><font face="garamond, serif" size="4">
-''Editorial annotaton'': When the Copyist has made a choice, this has been marked with brackets "[ ]" or
-parenthesis "( )".
-<br>
-For example in Frisky, where there is no time signature in the original
-edition, or in Meggy's Foot (8<sup>th</sup>) and Over the Border (9<sup>th</sup>)
-and 11(<sup>th</sup>) where there is a rhythmic inconsistency.
-<br>
-<br>
-<lilybook>
-\version "2.10.33"
-\header {
-	%book = "Peacocks' Tunes"
-       %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
-	%crossRefNumber = "1"
-	%footnotes = ""
-	tagline = ##f
-}
-voicedefault =  {
-%%%% START PASTE AREA  %%%%
-\key g \major
-	   \override Staff.TimeSignature #'stencil = #(lambda (grob)
-	   (bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1))
-    	   \time 2/4
-    	   %\override Staff.TimeSignature #'stencil = ##f
-    	   \set Staff.instrumentName = "1."
-    	   \relative c'' {
-    	   	\stemDown d16^\markup{ Frisky } b g' d\bar"|"
-    	   	\stopStaff
-    	   	s4
-    	   	\startStaff
-    	   	b16^\markup{Meggy's foot} c \parenthesize d8\staccatissimo g,8\staccatissimo r8\bar"|"
-       	}
-}
-%%%% END PASTE AREA  %%%%
-\score{
-    <<
-	\context Staff="default"
-	{
-	    \voicedefault
-	}
-        >>
-        \layout
-        {
-         \context
-          {
-           \Score
-           \remove "Bar_number_engraver"
-          }
-        }
-}
-</lilybook>
-<br>
-<br>
-Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having
-''"his lilts, his pauses, and his variations"'' [L.Jessop], suggested to the copyist that
-ornaments, dotted notes, slurs, staccatos and
-graces must be left unaltered in this Urtext because they are expressions of the author.
-Nevertheless, the trill signs have been subsituted with the ''inverted mordent''.
-This ornament is sometimes called a ''transient shake'' because it is really only a part of the more
-elaborate grace known as the "perfect trill"'.[K.W.Gehrkens]
-<br>
-<br>
-<lilybook>
-\version "2.10.33"
-\header {
-	%book = "Peacocks' Tunes"
-       %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
-	%crossRefNumber = "1"
-	%footnotes = ""
-	tagline = ##f
-}
-voicedefault =  {
-%%%% START PASTE AREA  %%%%
-\key c \major
-    	   \time 4/4
-    	   \override Staff.TimeSignature #'stencil = ##f
-    	   \override NonMusicalPaperColumn #'line-break-permission = ##f
-    	   %\set Staff.instrumentName = "34."
-    	   \relative c''{
-       	   e16.[\trill d32 e16 f]
-       	   \stopStaff
-       	   s1_\markup{changes to}
-       	   \startStaff
-       	   e16.[\prall  d32 e16 f]\bar"|"
-       	}
-%%%% END PASTE AREA  %%%%
-\score{
-    <<
-	\context Staff="default"
-	{
-	    \voicedefault
-	}
-        >>
-        \layout
-        {
-         \context
-          {
-           \Score
-           \remove "Bar_number_engraver"
-          }
-        }
-}
-</lilybook>
-<br>
-<br>
-</font></p>
-----
- X: 1
- T: Frisky
- M: 2/4
- L: 1/16
- K: Gmaj
- dBgd edcB| ABcd cBAG|dBgd edcB| AcBA G2G2:|
- AcBd dcBA|Adce edcA|dBgd edcB|AcBA G2G2:|
 ----
+<p><font face="sans-serif" size="2"> Back to [[{{BASEPAGENAME}}]] </font></p>
+</div>
+__NOEDITSECTION__
+__NOTITLE__
-[[{{BASEPAGENAME}}|Tune properties and standard notation]]