Annotation:Frisky (1): Difference between revisions

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'''FRISKY'''. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky," but this particular melody appears unique to Peacock's publication.  
'''FRISKY'''. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky," but this particular melody appears unique to Peacock's publication.  
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== Additional notes ==
<p><font face="sans-serif" size="2"> '''Additional notes''' </font></p>
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<font color=red>''Source for notated version''</font>: -  
<font color=red>''Source for notated version''</font>: -  
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<font color=red>''Printed sources''</font> : Peacock ('''Peacock’s Tunes'''), c. 1805; No. 1, p. 1.
<font color=red>''Printed sources''</font> : Peacock ('''Peacock’s Tunes'''), c. 1805; No. 1, p. 1.
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<font color=red>''Recorded sources'': </font> <font color=teal> - Heritage XXXIII, Forest Pick (Ohio) - "Visits" (1981). Ruthie Dornfeld, Kristian Bugge and Jamie Fox - "3 Fiddlers 3 Traditions" (2017).</font>
<font color=red>''Recorded sources'': </font> <font color=teal> - Heritage XXXIII, Forest Pick (Ohio) - "Visits" (1981). Ruthie Dornfeld, Kristian Bugge and Jamie Fox - "3 Fiddlers 3 Traditions" (2017).</font>
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'''<u>[[Favorite_collection_of_tunes_with_variations_adapted_for_the_Northumberland_small_pipes_violin_or_flute| UR-TEXT]] Editorial annotation</u>''':
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;When the Copyist has made a choice, this has been marked with brackets "[ ]" or
parenthesis "( )".
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;For example in [[Frisky]], where there is no time signature in the original
edition, or in [[Meggy's Foot]] (8<sup>th</sup>) and [[Over the Border]] (9<sup>th</sup>)
and 11(<sup>th</sup>) where there is a rhythmic inconsistency.
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<score lang="lilypond" raw=1>
\version "2.10.33"
\header {
%book = "Peacocks' Tunes"
      %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
%crossRefNumber = "1"
%footnotes = ""
tagline = ##f
}
voicedefault =  {
%%%% START PASTE AREA  %%%%
\key g \major
  \override Staff.TimeSignature #'stencil = #(lambda (grob)
  (bracketify-stencil (ly:time-signature::print grob) Y 0.1 0.2 0.1))
      \time 2/4
      %\override Staff.TimeSignature #'stencil = ##f
      \set Staff.instrumentName = "1."
     
      \relative c'' {
      \stemDown d16^\markup{ Frisky } b g' d\bar"|"
      \stopStaff
      s4
      \startStaff
      b16^\markup{Meggy's foot} c \parenthesize d8 \staccatissimo g,8\staccatissimo r8\bar"|"
     
      }
}
%%%% END PASTE AREA  %%%%
\score{
    <<
\context Staff="default"
{
    \voicedefault                       
}
        >>
        \layout
        {
        \context
          {
          \Score
          \remove "Bar_number_engraver"
          }
        }
\midi { }
}
</score>
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Peacock's contemporaries (e.g. Thomas Bewick), who referred to Peacock's style as having
''"his lilts, his pauses, and his variations"'' [L.Jessop], suggested to the copyist that
ornaments, dotted notes, slurs, staccatos and
graces must be left unaltered in this Urtext because they are expressions of the author.
Nevertheless, the trill signs have been subsituted with the ''inverted mordent''.
This ornament is sometimes called a ''transient shake'' because it is really only a part of the more
elaborate grace known as the "perfect trill". [K.W.Gehrkens]
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<score lang="lilypond" raw=1>
\version "2.10.33"
\header {
%book = "Peacocks' Tunes"
      %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
%crossRefNumber = "1"
%footnotes = ""
tagline = ##f
}
voicechange =  {
%%%% START PASTE AREA  %%%%
\key c \major
      \time 4/4
      \override Staff.TimeSignature #'stencil = ##f
      \override NonMusicalPaperColumn #'line-break-permission = ##f
      %\set Staff.instrumentName = "34."
      \relative c''{
        e16.[\trill d32 e16 f]
        \stopStaff
        s1_\markup{changes to}
        \startStaff
        e16.[\prall  d32 e16 f]\bar"|"
      }
}
%%%% END PASTE AREA  %%%%
\score{
    <<
\context Staff="default"
{
    \voicechange                       
}
        >>
        \layout
        {
        \context
          {
          \Score
          \remove "Bar_number_engraver"
          }
        }
\midi { }
}
</score>
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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Evident mistakes, have been corrected and underlined with "analysis brackets" as shown in the
following 34<sup>th</sup> measure of [[Felton Lonning]]:
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<score lang="lilypond" raw=1>
\version "2.10.33"
\header {
%book = "Peacocks' Tunes"
      %composer =  \markup  { \teeny {collected by:} \small {John Peacock (c. 1754 - 1817)} }
%crossRefNumber = "1"
%footnotes = ""
tagline = ##f
}
voicemistake =  {
%%%% START PASTE AREA  %%%%
\key g \major
      \time 6/8
      \override TupletBracket #'direction = #UP
      \override Staff.TimeSignature #'stencil = ##f
      \override NonMusicalPaperColumn #'line-break-permission = ##f
      %\set Staff.instrumentName = "34."
      \relative c''{
      \once \override HorizontalBracket #'direction = #UP
      %\override NoteHead #'color = #grey
      g'16[\startGroup fis e fis g e]\stopGroup
      %\override NoteHead #'color = #black
      d16[ c b c d b]|
      }
}
%%%% END PASTE AREA  %%%%
\score{
    <<
\context Staff="default"
{
    \voicemistake                       
}
        >>
        \layout
        {
        \context
          {
          \Score
          \consists "Horizontal_bracket_engraver"
          \remove "Bar_number_engraver"
          }
        }
\midi { }
}
</score>
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Latest revision as of 00:13, 13 December 2019

Back to Frisky (1)

X: 1 % T: Frisky (1) M: 2/4 L: 1/16 K: Gmaj dBgd edcB| ABcd cBAG|dBgd edcB| AcBA G2G2:| AcBd dcBA|Adce edcA|dBgd edcB|AcBA G2G2:|


FRISKY. English, Reel. England, Northumbrian. G Major. Standard tuning (fiddle). AABB. The title appears in Henry Robson's list of popular Northumbrian song and dance tunes which he published c. 1800. There are other period tunes that go by the name "Frisky" or "The Frisky," but this particular melody appears unique to Peacock's publication.

Additional notes

Source for notated version: -

Printed sources : Peacock (Peacock’s Tunes), c. 1805; No. 1, p. 1.

Recorded sources: - Heritage XXXIII, Forest Pick (Ohio) - "Visits" (1981). Ruthie Dornfeld, Kristian Bugge and Jamie Fox - "3 Fiddlers 3 Traditions" (2017).

Back to Frisky (1)


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