Annotation:Foxy Mary (1): Difference between revisions
m (Text replace - "[[{{BASEPAGENAME}}|Tune properties and standard notation]]" to "'''Back to [[{{BASEPAGENAME}}]]'''") |
No edit summary |
||
(3 intermediate revisions by 2 users not shown) | |||
Line 1: | Line 1: | ||
{{TuneAnnotation | |||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Foxy_Mary_(1) > | |||
|f_annotation='''FOXY MARY [1]'''. Irish, Jig (6/8 time). D Mixolydian. Standard tuning (fiddle). AAB. Learned by Joyce in his boyhood in Limerick, mid-1800's. Breathnach (1976) finds the first part similar to the first part of "[[Bímíd ag Ól (1)]]." The first strain is also similar to Canon James Goodman's "[[Touch it up tight]]," with the melodic contour raised up one step. A related jig is Breathnach's "[[Toormore Jig]]." | |||
'''FOXY MARY [1]'''. Irish, Jig. D Mixolydian. Standard tuning (fiddle). AAB. Learned by Joyce in his boyhood in Limerick, mid-1800's. Breathnach (1976) finds the first part similar to the first part of "[[Bímíd ag Ól (1)]]." A related jig is Breathnach's "[[Toormore Jig]]." | |f_source_for_notated_version= | ||
|f_printed_sources=Joyce ('''Old Irish Folk Music and Song'''), 1909; No. 114, p. 58. | |||
|f_recorded_sources=Front Hall 018, How To Change a Flat Tire- "Traditional Music of Ireland and Shetland."|f_see_also_listing= | |||
}} | |||
------------- | |||
---- | |||
Latest revision as of 05:01, 13 March 2020
X:1 T:Foxy Mary [1] M:6/8 L:1/8 R:Jig S:Joyce - Old Irish Folk Music and Songs (1909) Z:AK/Fiddler's Companion K:Dmix DED D2A|AGE c3|DED D2A|AGE E2D| DED D2A|AGE c3|BdB c2A|AGE E2D:| c3 edc|BAB/c/ dBG|c3 ecA|AGE E2D| c3 edc|BAG BdB|AGE c2A|AGE E2D| c3 edc|BAB/c/ dBG|c3 edc|e2d efg| c3 edc|BAG BdB|AGE c2A|AGE E2D||
FOXY MARY [1]. Irish, Jig (6/8 time). D Mixolydian. Standard tuning (fiddle). AAB. Learned by Joyce in his boyhood in Limerick, mid-1800's. Breathnach (1976) finds the first part similar to the first part of "Bímíd ag Ól (1)." The first strain is also similar to Canon James Goodman's "Touch it up tight," with the melodic contour raised up one step. A related jig is Breathnach's "Toormore Jig."