Annotation:George's Maggot (2): Difference between revisions
m (Text replacement - "garamond, serif" to "sans-serif") |
No edit summary |
||
Line 2: | Line 2: | ||
---- | ---- | ||
<p><font face="sans-serif" size="4"> | <p><font face="sans-serif" size="4"> | ||
'''GEORGE'S MAGGOT [2].''' English, Country Dance Tune (cut time). B Flat Major. Standard tuning (fiddle). AAB. The tune and country dance instructions were printed in all four editions of London publisher John Young's '''Second Volume of the Dancing Master''' (1710-1728). | '''GEORGE'S MAGGOT [2].''' English, Country Dance Tune (cut time). B Flat Major. Standard tuning (fiddle). AAB. The tune and country dance instructions were printed in all four editions of London publisher John Young's '''Second Volume of the Dancing Master''' (1710-1728). Sixteenth and seventeenth century country dance tunes sometimes had the word "maggot" in their titles, perhaps derived from Italian ''Maggiolatta'' or Italian May song, but used in England to mean a whim, fancy, plaything, 'trifle'--essentially an 'earworm'. | ||
<br> | <br> | ||
<br> | <br> |
Latest revision as of 04:39, 20 January 2022
Back to George's Maggot (2)
GEORGE'S MAGGOT [2]. English, Country Dance Tune (cut time). B Flat Major. Standard tuning (fiddle). AAB. The tune and country dance instructions were printed in all four editions of London publisher John Young's Second Volume of the Dancing Master (1710-1728). Sixteenth and seventeenth century country dance tunes sometimes had the word "maggot" in their titles, perhaps derived from Italian Maggiolatta or Italian May song, but used in England to mean a whim, fancy, plaything, 'trifle'--essentially an 'earworm'.
Source for notated version:
Printed sources: Young (Second Volume of the Dancing Master, 1st edition), 1710; No. 180.
Recorded sources: