Annotation:Dublin Hornpipe (3) (The): Difference between revisions

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|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Dublin_Hornpipe_(3)_(The) >
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|f_annotation='''DUBLIN HORNPIPE [3]'''. AKA and see "[[Dickey Gossip (2)]]." Scottish, Hornpipe. D Major. Standard tuning (fiddle). AABB'. The melody appears in the mid-19th century music manuscript collection of Anglican cleric and uilleann piper James Goodman, of Cork. Despite its Irish associations, the tune seems to have little of Irish character in it, and its provenance is undetermined. The first strain is shared with a number of Scottish, English and Irish hornpipes--see note for "[[annotation:Back of the Haggard (1)]]" for more.
'''DUBLIN HORNPIPE [3]'''. AKA and see "[[Dickey Gossip (2)]]." Scottish, Hornpipe. D Major. Standard tuning (fiddle). AABB'. The melody appears in the mid-19th century music manuscript collection of Anglican cleric and uilleann piper James Goodman, of Cork. Despite its Irish associations, the tune seems to have little of Irish character in it, and its provenance is undetermined.  
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|f_printed_sources=Kerr ('''Merry Melodies, vol. 4'''), c. 1880's; No. 279, p. 30.  
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|f_recorded_sources=
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''Source for notated version'':
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''Printed sources'': Kerr ('''Merry Melodies, vol. 4'''), c. 1880's; No. 279, p. 30.  
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''Recorded sources'': <font color=teal></font>
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Latest revision as of 00:24, 14 December 2022



X:1 T:Dublin Hornpipe [3] M:C| L:1/8 R:Hornpipe S:Kerr - Merry Melodies, vol. 4, No. 279 (c. 1880's) Z:AK/Fiddler's Companion K:D (3ABc | dcdf ecAc | dBGB AFDF | GBFB EBdf | edcB ABcd | e>A A/A/A f>A A/A/A | gfge (aA) A2 | (3ABc (3dcB (3ABG (3FGE | D2D2D2 :| |: d2 | cdef gfge | defg agaf | bgea fddf | edcB A2 (Ad) | cdef gfge | defg agaf | bgea fddf |1 edcB A2 :|2 edcB Agfe ||



DUBLIN HORNPIPE [3]. AKA and see "Dickey Gossip (2)." Scottish, Hornpipe. D Major. Standard tuning (fiddle). AABB'. The melody appears in the mid-19th century music manuscript collection of Anglican cleric and uilleann piper James Goodman, of Cork. Despite its Irish associations, the tune seems to have little of Irish character in it, and its provenance is undetermined. The first strain is shared with a number of Scottish, English and Irish hornpipes--see note for "annotation:Back of the Haggard (1)" for more.


Additional notes



Printed sources : - Kerr (Merry Melodies, vol. 4), c. 1880's; No. 279, p. 30.






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