Annotation:Down with the Peebles: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Down_with_the_Peebles > | |||
'''DOWN WITH THE PEEBLES.''' AKA and see "[[Down the Bank]]." Irish, Reel (cut time). D Major. Standard tuning (fiddle). AABBCC. The tune was printed in Dublin by music seller and pubisher Morris (or Maurice) Hime around 1795–1800 in his collection '''Forty Eight Original Irish Dances Never Before Printed''' [http://gallica.bnf.fr/ark:/12148/btv1b90673324/f2.image] (c. 1795) This is perhaps where Glasgow publisher James Aird picked up the tune, as Aird gives the provenance as Irish. Himes' claims of his collection being 'original Irish dances' is not true; there were English and Scottish tunes, as well as Irish. "...Never before printed" is also an exaggeration, as many of the tunes in his volume appear in earlier British collections. | |f_annotation='''DOWN WITH THE PEEBLES.''' AKA and see "[[Down the Bank]]," "[[Farewell to Brickyard]]," "[[Ye’re Welcome Charlie Stuart]]." Irish, Reel (cut time). D Major. Standard tuning (fiddle). AABBCC. The tune was printed in Dublin by music seller and pubisher Morris (or Maurice) Hime around 1795–1800 in his collection '''Forty Eight Original Irish Dances Never Before Printed''' [http://gallica.bnf.fr/ark:/12148/btv1b90673324/f2.image] (c. 1795) This is perhaps where Glasgow publisher James Aird picked up the tune, as Aird gives the provenance as Irish. Himes' claims of his collection being 'original Irish dances' is not true; there were English and Scottish tunes, as well as Irish. "...Never before printed" is also an exaggeration, as many of the tunes in his volume appear in earlier British collections. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 5'''), c. 1790; p. 2. | |||
Aird ('''Selection of Scotch, English, Irish and Foreign Airs, vol. 5'''), c. 1790; p. 2. | |||
Hime ('''Forty Eight Original Irish Dances Never Before Printed with Basses, vol. 1'''), Dublin, 1804; No. 1. | Hime ('''Forty Eight Original Irish Dances Never Before Printed with Basses, vol. 1'''), Dublin, 1804; No. 1. | ||
|f_recorded_sources= | |||
|f_see_also_listing= | |||
}} | |||
Latest revision as of 01:14, 30 January 2023
X:1 T:Down with the Peebles M:C L:1/8 O:"Irish" B:Aird - Selection of Scotch English Irish and Foreign Airs vol. 5 (Glasgow, 1797, p. 2) Z:AK/Fiddler's Companion K:D B|(AG)(FE) F2 Fd|(AG)(FE) E2 Bd|(AG)(FE) (de)(fe)|(dcdF) E3:| |:B|AFdF AFdF|AFdF A2 AB|(AF)(ED) (de)(fe)|(dAdF) E3:| |:b|(ag)(fe) f2 fb|agfg e2 eb|(ag)(fe) defe|(dcdF) E3:||
DOWN WITH THE PEEBLES. AKA and see "Down the Bank," "Farewell to Brickyard," "Ye’re Welcome Charlie Stuart." Irish, Reel (cut time). D Major. Standard tuning (fiddle). AABBCC. The tune was printed in Dublin by music seller and pubisher Morris (or Maurice) Hime around 1795–1800 in his collection Forty Eight Original Irish Dances Never Before Printed [1] (c. 1795) This is perhaps where Glasgow publisher James Aird picked up the tune, as Aird gives the provenance as Irish. Himes' claims of his collection being 'original Irish dances' is not true; there were English and Scottish tunes, as well as Irish. "...Never before printed" is also an exaggeration, as many of the tunes in his volume appear in earlier British collections.
