Annotation:Rambert (La): Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Rambert_(La) > | |||
'''RAMBERT, LA.''' French, Country Dance (2/4 time). A Major. Standard tuning (fiddle). AABBAA. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d’Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. | |f_annotation='''RAMBERT, LA.''' AKA and see "[[Sally's Taste]]." French, Country Dance (2/4 time). A Major. Standard tuning (fiddle). AABBAA. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d’Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass. | ||
|f_source_for_notated_version= | |||
|f_printed_sources=Daubat ('''Cent Contredanses en Rond'''), 1757; No. 18. | |||
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}} | |||
Latest revision as of 04:19, 11 February 2023
X:1 T:Rambert, La M:2/4 L:1/8 S:Daubat – Cent Contredanses en Rond (1757), No. 18 Z:AK/Fiddler’s Companion K:A A2 (A/B/c) | B2 (B/c/d) | cecA | BGFE | A2 (A/B/c) | B2 (B/c/d) | ceEG | A2A2 :| |: cde=g | fdcB | BcdB | ecBA | GB Ed | cde=g | fdcB | A2A2 :| |: A2 (A/B/c) | B2 (B/c/d) | cecA | BGFE | A2 (A/B/c) | B2 (B/c/d) | ceEG | A2A2 :|]
RAMBERT, LA. AKA and see "Sally's Taste." French, Country Dance (2/4 time). A Major. Standard tuning (fiddle). AABBAA. From the contradance book (tunes with dance instructions) of Robert Daubat (who styled himself Robert d’Aubat de Saint-Flour), born in Saint-Flour, Cantal, France, in 1714, dying in Gent, Belgium, in 1782. According to Belgian fiddler Luc De Cat, at the time of the publication of his collection (1757) Daubat was a dancing master in Gent and taught at several schools and theaters. He also was the leader of a choir and was a violin player in a theater. Mr. De Cat identifies a list of subscribers of the original publication, numbering 132 individuals, of the higher level of society and the nobility, but also including musicians and dance-masters (including the ballet-master from the Italian opera in London). Many of the tunes are written with parts for various instruments, and include a numbered bass.
