Fágamaíd Súd Mar Atá Sé: Difference between revisions

Latest revision as of 02:38, 26 August 2023

Fágamaíd Súd Mar Atá Sé Click on the tune title to see or modify Fágamaíd Súd Mar Atá Sé's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Fágamaíd Súd Mar Atá Sé Query the Archive
Theme code Index	5L136 7437L
Also known as	Barndoor Jig (The), Cranbally Farmer (The), Darby O'Leary, First of May (1), Galbally Farmer (The), Get Up Early, Let us leave that as it is, Let's Leave that Be, Old Barndoor (The), Rakes of Kildare, 'Twas on the first of May brave boys, We will soon have a Devil of a Morning
Composer/Core Source
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	A
Accidental	3 sharps
Mode	Ionian (Major)
Time signature	6/8
History
Structure	AB, AAB
Editor/Compiler	P.W. Joyce
Book/Manuscript title	Book:Ancient Irish Music
Tune and/or Page number	No. 13, p. 14
Year of publication/Date of MS	1873
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score (1)

Fágamaíd Súd Mar Atá Sé: Annotations

X:1 T:Fagameed Sued Mare Thase T:Fágamaíd Súd Mar Atá Sé M:6/8 L:1/8 R:Jig B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 51, p. 20) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. Z:AK/Fiddler’s Companion K:D A/G/|ADD DcD|FGA/B/ A2G|FGA/B/ cAF|GFD C2 A/G/| ADD DcD|FGA Adc|B G/B/A/G/ FDC|D3 D2:| |:(A/G/)|Add cdc|BGB A2G|FGA/B/ cAF|GFD C2 A/G/| ADD DcD|FGA Adc|BG/B/A/G/ FDC|D3 D2:|

X:1 T:Fágamaoíd Súd Mar Atá Sé T:Let us leave that as it is M:6/8 L:1/8 R:Air Q:"Lively; but somewhat slower than Jig time." B:Joyce - Ancient Irish Music (1873, No. 13, p. 14) Z:AK/Fiddler's Companion K:F C|FGF FEF|ABc [F2d2]f|ecA B2B|cAF _E2C|FGF FEF| ABc [F2d2]f|ecA BAF|[C3F3][C2F2]||c|fgf _efe|dcB c2B| ABc _ecA|BAF _E2C|FGF FEF|ABc [F2d2]f|ecA BAF|[C3F3][C2F2]||

X:1 T:Let Us Leave That As It Is M:6/8 L:1/8 R:Air Q:"Gaily" S:O'Neill - Music of Ireland (1903), No. 177 Z:AK/Fiddler's Companion K:A (A/G/) | (EA).A T(AG).A | (cde) f2a | {a}g>ec ded | {d}cAF (G2 {A/G/}E/D/) | EAA T(AGA) | (cde) f2a | g>ec (d<c)A | A3 A2 :| d | efg aba | T(gfg) (efg) | aba gec | dcA G2 {A/G/}E/D/ | EAA TAGA | (cde) f2a | g>ec (d<c)A | A3 A2 ||

Fágamaíd Súd Mar Atá Sé: Annotations

@@ Line 1: / Line 1: @@
 {{Abctune
 |f_tune_title=Fágamaíd Sud Mar Atá Sé
-|f_aka=Fagamaoid Súd Mar Atá Sé, Let us leave that as it is, Let's Leave that Be, Darby O'Leary, Galbally Farmer, Cranbally Farmer, 'Twas on the First of May Brave Boys, First of May (1) (The), Barndoor Jig (The), Old Barndoor (The), Rakes of Kildare, Get Up Early
+|f_aka=Barndoor Jig (The),   Cranbally Farmer (The),  Darby O'Leary,  First of May (1),  Galbally Farmer (The),  Get Up Early, Let us leave that as it is, Let's Leave that Be, Old Barndoor (The), Rakes of Kildare,  'Twas on the first of May brave boys,  We will soon have a Devil of a Morning
 |f_country=Ireland
 |f_genre=Irish
@@ Line 9: / Line 9: @@
 |f_accidental=3 sharps
 |f_mode=Ionian (Major)
-|f_structure=AAB
+|f_structure=AB, AAB
 |f_book_title=Ancient Irish Music
 |f_collector=P.W. Joyce,
 |f_year=1873
-|f_page=No. 13
+|f_page=No. 13, p. 14
 |f_theme_code_index=5L136 7437L
+|f_score=1
 }}
-=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
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+|description=The semantic index of North American, British and Irish traditional instrumental music with annotations
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+|image_alt=Traditional universal music
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+<!-- SUBSTITUTE THE ABC NOTATION BELOW (BETWEEN THE <SECTION BEGIN /><SECTION END /> TAGS) WITH YOUR OWN NOTATION (IF ANY) -->
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 ----
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+<section begin=abc />
+X:1
+T:Jig
+M:6/8
+L:1/8
+R:Jig
+N:A version of "Fágamaíd Súd Mar Atá Sé"
+S:James Goodman (1828─1896) music manuscript collection,
+S:vol. 3, p. 109. Mid-19th century, County Cork
+F:http://goodman.itma.ie/volume-three#?c=0&m=0&s=0&cv=112&z=-4280.3351%2C0%2C16736.6702%2C6432
+F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie
+Z:AK/Fiddler’s Companion
+K:Ador
+A/G/|EAA AGA|cde fed|cde fed|cAA GED|
+EAA AGA|cde f2a|ged cAG|A3 A2:|
+|:f/g/|aaa ggg|fff fed|cde fed|cAA GED|
+EAA AGA|cde f2a|ged cAG|A3 A2:|]
+<section end=abc />
+<section begin=X2 />
+X:1
+T:Fagameed Sued Mare Thase
+T:Fágamaíd Súd Mar Atá Sé
+M:6/8
+L:1/8
+R:Jig
+B:Finnegan/Curtin Manuscript  (Sliabh Luachra, Co. Cork, mid-19th century, No. 51, p. 20)
+B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript
+N:The ms. predates the introduction of quadrille-based polkas and slides that
+N:now characterize the music of Sliabh Luachra region, thought to have been
+N:introduced in the latter 19th century.
+S:Breandán Breathnach (1912-85) obtained the ms. from  E. Finnegan, who had it
+S:from D. Curtin of Stagmount, Rockchapel, Co Cork.
+Z:AK/Fiddler’s Companion
+K:D
+A/G/|ADD DcD|FGA/B/ A2G|FGA/B/ cAF|GFD C2 A/G/|
+ADD DcD|FGA Adc|B G/B/A/G/ FDC|D3 D2:|
+|:(A/G/)|Add cdc|BGB A2G|FGA/B/ cAF|GFD C2 A/G/|
+ADD DcD|FGA Adc|BG/B/A/G/ FDC|D3 D2:|
+<section end=X2 />
+<section begin=X4 />
+X:1
+T:Fágamaoíd Súd Mar Atá Sé
+T:Let us leave that as it is
+M:6/8
+L:1/8
+R:Air
+Q:"Lively; but somewhat slower than Jig time."
+B:Joyce - Ancient Irish Music (1873, No. 13, p. 14)
+Z:AK/Fiddler's Companion
+K:F
+C|FGF FEF|ABc [F2d2]f|ecA B2B|cAF _E2C|FGF FEF|
+ABc [F2d2]f|ecA BAF|[C3F3][C2F2]||c|fgf _efe|dcB c2B|
+ABc _ecA|BAF _E2C|FGF FEF|ABc [F2d2]f|ecA BAF|[C3F3][C2F2]||
+<section end=X4 />
+<section begin=X7 />
 X:1
 T:Let Us Leave That As It Is
@@ Line 25: / Line 96: @@
 L:1/8
 R:Air
-N:"Gaily"
+Q:"Gaily"
 S:O'Neill - Music of Ireland (1903), No. 177
 Z:AK/Fiddler's Companion
 K:A
-(A/G/) | (EA).A !trill!(AG).A | (cde) f2a | {a}g>ec ded | {d}cAF (G2 {A/G/}E/D/) |
+(A/G/) | (EA).A T(AG).A | (cde) f2a | {a}g>ec ded | {d}cAF (G2 {A/G/}E/D/) |
-EAA !trill!(AGA) | (cde) f2a | g>ec (d<c)A | A3 A2 :|
+EAA T(AGA) | (cde) f2a | g>ec (d<c)A | A3 A2 :|
-d | efg aba | !trill!gfg) (efg) | aba gec | dcA G2 {A/G/}E/D/ |
+d | efg aba | T(gfg) (efg) | aba gec | dcA G2 {A/G/}E/D/ |
-EAA !trill!AGA | (cde) f2a | g>ec (d<c)A | A3 A2 ||
+EAA TAGA | (cde) f2a | g>ec (d<c)A | A3 A2 ||
+<section end=X7 />
-</pre>
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