Fágamaíd Súd Mar Atá Sé
X:1 T:Jig M:6/8 L:1/8 R:Jig N:A version of "Fágamaíd Súd Mar Atá Sé" S:James Goodman (1828─1896) music manuscript collection, S:vol. 3, p. 109. Mid-19th century, County Cork F:http://goodman.itma.ie/volume-three#?c=0&m=0&s=0&cv=112&z=-4280.3351%2C0%2C16736.6702%2C6432 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:Ador A/G/|EAA AGA|cde fed|cde fed|cAA GED| EAA AGA|cde f2a|ged cAG|A3 A2:| |:f/g/|aaa ggg|fff fed|cde fed|cAA GED| EAA AGA|cde f2a|ged cAG|A3 A2:|]
X:1
T:Fagameed Sued Mare Thase
T:Fágamaíd Súd Mar Atá Sé
M:6/8
L:1/8
R:Jig
B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 51, p. 20)
B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript
N:The ms. predates the introduction of quadrille-based polkas and slides that
N:now characterize the music of Sliabh Luachra region, thought to have been
N:introduced in the latter 19th century.
S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it
S:from D. Curtin of Stagmount, Rockchapel, Co Cork.
Z:AK/Fiddler’s Companion
K:D
A/G/|ADD DcD|FGA/B/ A2G|FGA/B/ cAF|GFD C2 A/G/|
ADD DcD|FGA Adc|B G/B/A/G/ FDC|D3 D2:|
|:(A/G/)|Add cdc|BGB A2G|FGA/B/ cAF|GFD C2 A/G/|
ADD DcD|FGA Adc|BG/B/A/G/ FDC|D3 D2:|
X:1
T:Fágamaoíd Súd Mar Atá Sé
T:Let us leave that as it is
M:6/8
L:1/8
R:Air
Q:"Lively; but somewhat slower than Jig time."
B:Joyce - Ancient Irish Music (1873, No. 13, p. 14)
Z:AK/Fiddler's Companion
K:F
C|FGF FEF|ABc [F2d2]f|ecA B2B|cAF _E2C|FGF FEF|
ABc [F2d2]f|ecA BAF|[C3F3][C2F2]||c|fgf _efe|dcB c2B|
ABc _ecA|BAF _E2C|FGF FEF|ABc [F2d2]f|ecA BAF|[C3F3][C2F2]||
X:1
T:Let Us Leave That As It Is
M:6/8
L:1/8
R:Air
Q:"Gaily"
S:O'Neill - Music of Ireland (1903), No. 177
Z:AK/Fiddler's Companion
K:A
(A/G/) | (EA).A T(AG).A | (cde) f2a | {a}g>ec ded | {d}cAF (G2 {A/G/}E/D/) |
EAA T(AGA) | (cde) f2a | g>ec (d<c)A | A3 A2 :|
d | efg aba | T(gfg) (efg) | aba gec | dcA G2 {A/G/}E/D/ |
EAA TAGA | (cde) f2a | g>ec (d<c)A | A3 A2 ||